Allison Schroeder Quotes
I think you leave your imprint on every screenplay. I like to bring my experience as a woman to all my female characters that hopefully makes them a little more layered and complex.

Quotes to Explore
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I'm not willing to commit American taxpayers' money anymore or American troops on the ground in another Middle Eastern country.
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I don't miss acting at all.
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As we get more transparent with data sets about infrastructure and systems management, I have a feeling we'll see big changes in how we think about complexity and our relationship to our actions.
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I love Bridget Fonda.
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When you can score three goals without the most prolific scorer in the world, you know you have a lot of depth, and it gives you confidence.
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I do think that tonal element of Trump's is attractive, but I don't know if I would go so far as to say the confrontational element of his rhetoric is necessarily attractive.
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There can be no literary equivalent to truth.
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You can really taste the difference between a shop-bought and a good homemade mayo.
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Playing Juliet in 'Heavenly Creatures' changed my life, and the role of Clementine in' Eternal Sunshine of the Spotless Mind' opened many new doors creatively.
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When I got a million subscribers, it just sort of snowballed from there because a lot more people show interest. They're like, 'Who's this? They've got a million subscribers; maybe I'll like their channel.'
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I don't think anything I've written has been done in under six or eight drafts. Usually it takes me a few years to write a book. 'World's Fair' was an exception. It seemed to be a particularly fluent book as it came. I did it in seven months. I think what happened in that case is that God gave me a bonus book.
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One reason why I don't drink is because I wish to know when I am having a good time.
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Jesus Christ was a patriot! His country was the world. His laws were the eternal principles of liberty, and his followers, in every age, have been the chosen champions of freedom!
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Bullfights have so much color. Not just the matador but also the bull, the arena, and the public. It's all very festive.
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That's double-edged: it's amazing that they're bringing me in and showing people new ideas, and at the same time it's a little hard because seventy percent of the time or even higher I'm not going to get those roles.
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I've turned down twentysomething million dollars for movies.
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I want to be different and have a good story. If it's a good story, then everybody is trying to tell it, everybody is better for it, and it's just more fun.
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Startups on the inside are always badly broken.
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One city can look at other cities relative to their city and learn something. It's a matter of sharing the patterns of what exists in one society based on landscape or cultural values versus other cities.
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The ecosystem of our world is a closed system: it would run out of gas, collapse of its own weight.
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In 2013, a great national coalition came together to compel Congress to deny Barack Obama authority to take us to war in Syria.
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This labour of the artist to discover a means of apprehending beneath matter and experience, beneath words, something different from their appearance, is of an exactly contrary nature to the operation in which pride, passion, intelligence and habit are constantly engaged within us when we spend our lives without self-communion, accumulating as though to hide our true impressions, the terminology for practical ends which we falsely call life.
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I don't have to be in politics.
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I think you leave your imprint on every screenplay. I like to bring my experience as a woman to all my female characters that hopefully makes them a little more layered and complex.