Allison Schroeder Quotes
I think you leave your imprint on every screenplay. I like to bring my experience as a woman to all my female characters that hopefully makes them a little more layered and complex.

Quotes to Explore
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I'm not willing to commit American taxpayers' money anymore or American troops on the ground in another Middle Eastern country.
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I don't miss acting at all.
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As we get more transparent with data sets about infrastructure and systems management, I have a feeling we'll see big changes in how we think about complexity and our relationship to our actions.
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I love Bridget Fonda.
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When you can score three goals without the most prolific scorer in the world, you know you have a lot of depth, and it gives you confidence.
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I do think that tonal element of Trump's is attractive, but I don't know if I would go so far as to say the confrontational element of his rhetoric is necessarily attractive.
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There can be no literary equivalent to truth.
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You can really taste the difference between a shop-bought and a good homemade mayo.
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Playing Juliet in 'Heavenly Creatures' changed my life, and the role of Clementine in' Eternal Sunshine of the Spotless Mind' opened many new doors creatively.
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When I got a million subscribers, it just sort of snowballed from there because a lot more people show interest. They're like, 'Who's this? They've got a million subscribers; maybe I'll like their channel.'
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I don't think anything I've written has been done in under six or eight drafts. Usually it takes me a few years to write a book. 'World's Fair' was an exception. It seemed to be a particularly fluent book as it came. I did it in seven months. I think what happened in that case is that God gave me a bonus book.
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One reason why I don't drink is because I wish to know when I am having a good time.
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Jesus Christ was a patriot! His country was the world. His laws were the eternal principles of liberty, and his followers, in every age, have been the chosen champions of freedom!
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Bullfights have so much color. Not just the matador but also the bull, the arena, and the public. It's all very festive.
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That's double-edged: it's amazing that they're bringing me in and showing people new ideas, and at the same time it's a little hard because seventy percent of the time or even higher I'm not going to get those roles.
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I've turned down twentysomething million dollars for movies.
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I want to be different and have a good story. If it's a good story, then everybody is trying to tell it, everybody is better for it, and it's just more fun.
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Startups on the inside are always badly broken.
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Growing up, I decided, a long time ago, I wouldn't accept any manmade differences between human beings, differences made at somebody else's insistence or someone else's whim or convenience.
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I love Prince Harry. Good looking and a bit of a rebel. Me and his dad are as thick as thieves and I knew Harry before I knew his dad so we've met a few times. I think he's amazing. And I think you can relate to him because he's made mistakes. He's cool.
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The Holocaust survivor who knows Auschwitz through the experience of suffering observes it all from the perspective assigned to him. He keeps silent or gives interviews to the Spielberg Foundation, he accepts the compensation payments promised him after a fifty-year delay, or, if he is prominent, he makes a speech in the Swedish Academy.
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I've lived this very dramatic life, with high points and terrible low points. Nothing has been ordinary, and I want to have the experience of the last breath. I want a little drama to it.
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For me personally, the way I've been trained, just through life experience - the harder something is, the harder you have to work for it, the more worthwhile it is, and you just have to know that going in.
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I think you leave your imprint on every screenplay. I like to bring my experience as a woman to all my female characters that hopefully makes them a little more layered and complex.