Allison Williams Quotes
I always ask, 'Is this movie essential? Does this movie need to exist? Does it need to exist right now?' And the answer to that is almost always no.
Quotes to Explore
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I love heavy music. I keep Flume nice and melodic, so I save the angry, testosterone-fueled heavy stuff for What So Not. I think it's a good defining thing for the two projects.
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Who knows what would have become of me, if my parents had not had their influence on me.
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I am often critical of Israel's policies when in the country, but then feel defensive of them when overseas.
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If people don't want to come out to the ball park, nobody's gonna stop 'em.
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With a poetry book I can send 100 copies out to reviewers and other people, and even do it in advance and get their response. It's difficult with iPad: how do you send it out for free, and how do you even disseminate it before it goes into their store?
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I want to pursue a career in film.
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There's not some idea I'm going to create a work that's going to change everybody's consciousness.
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As the ratings go up, so does advertising revenue.
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I don't see a white woman. I see a black woman, even though my mother is white. Knowing that has made my life easier, I think.
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Creating a role is an interesting thing - each show or each situation is different.
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I'm the worst employee in the world. I'll cheat and steal time and resources from my employer, although I'll con everybody into believing I'm essential to the operation.
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And so, the youngsters you have today, even though there are far fewer of them - in World War II 16.5 million men and women in uniform, today roughly a million in uniform in spite of the fact that the country is almost twice as large a population as we had in World War II.
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I always see where I didn't do things the right way. I only see the heavy lifting. That's a bit of my wisdom, if you want to call it that.
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War is the ultimate tool of politics.
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I'll work out with my trainer twice a week, and I'll do some Power Pilates and might throw in some yoga. I love to row also. The main thing for me is just to move every single day for 30 minutes to an hour.
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The live setting is always better for me. I usually thrive at live. I feel like having a band behind me and being able to interact with the crowd helps boost my energy up.
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Each age, it is found, must write its own books; or rather, each generation for the next succeeding.
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Honestly, I just love great performers and people who love what they do.
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I'm youth, I'm joy, I'm a little bird that has broken out of the egg.
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You want the song to be at least at the same level of goodness throughout. Whereas with something you're doing live, a song dips and rises and that can actually be worked to the song's benefit.
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I love the idea of thinking of cinema as not that far from music. A lot of my favourite movie makers, the way they move their cameras or the way they cut just feel very musical - even if the movies have no music in them at all.
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The movie business is not something that can come from the brain. It really comes from the soul and the heart.
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I always ask, 'Is this movie essential? Does this movie need to exist? Does it need to exist right now?' And the answer to that is almost always no.
