Little Simz Quotes
I struggled with working with producers because no one openly wanted to give me a chance to rap on their beats. That's just honest talk. No one really wanted to take that risk.
Quotes to Explore
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Raquel Welch is someone I can also live without. We've got some love scenes together and I am dreading them!
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The man who has his millions will want everything he can lay his hands on and then raise his voice against the poor devil who wants ten cents more a day.
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I feel there is a big sense of accomplishment and achievement and self worth through what you do no matter what the job, no matter what you decide to dedicate your life to.
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We like our archetypes and heroes to be what they are at face value. And life doesn't work out like that.
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Talking to other people who make low-budget movies, everyone kind of has the same struggle.
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If the Soviet Union and the United States have not experienced direct military confrontations, on the other hand, they supported, armed and trained Africans, to fight other Africans.
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Even though I resigned as Papandreou's adviser early in 2006 and turned into his government's staunchest critic during his mishandling of the post-2009 Greek implosion, my public interventions in the debate on Greece and Europe have carried no whiff of Marxism.
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Date a woman with children only if you are ready to man up, because it's a position that comes with responsibility.
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I was born technically in D.C., and then my family moved to the Columbia area when I was in elementary school. It was right on the line between Clarksville and Columbia in Howard County. I remember it being just like a peaceful, safe atmosphere. I always felt connected to the woods and that whole suburban feel.
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Millions of people gave their lives fighting fascism and imperialism, but Pearl Harbor was the event that forever changed the course of human history.
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When you look at where the Democratic field is going relative to foreign policy, they are increasingly moving away from a policy of pre-emptive self-defense that the president has adopted since September 11.
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I found a certain kind of music congenial to me; it never occurred to me to write music that was academically acceptable.
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So many people in their 20s and 30s, on Twitter, say 'Please write something for us,' so I have to listen to them, they're my audience.
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I feel very comfortable with my trajectory because I do have a life; I can go on the subway, you know? And I've been able to do that my entire career, and I have friends who are huge movie stars and can't go on the subway, and I feel like that sucks.
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I became aware that all sounds can make meaningful language.
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I was about 13 or 14 when I heard Malcolm X's speech 'Message to the Grass Roots.'
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The best founders are extremely thoughtful and have an eye for quality. I don't know if there's any generic advice here that would be helpful. Startup knowledge is a moving target.
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To the uneducated, an A is just three sticks.
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You know, most people called rap stupid when it started, and it was one of the most innovative music forms of its time.
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Good twists are enormously hard to come by, and I think the best ones are earned ones. The idea that a story can take a left turn on you, it's easy to do, but it has to be done very, very carefully, or else you risk losing the audience's trust.
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I've long believed that good food, good eating, is all about risk. Whether we're talking about unpasteurized Stilton, raw oysters or working for organized crime 'associates,' food, for me, has always been an adventure.
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Anyone who thinks hunters are just 'bloodthirsty morons' hasn't looked into hunting. If you wait through long, cold hours in the November woods with a bow in your hands hoping a buck will show, or if you spend days walking in the African bush trailing Cape buffalo while listening to lions roar, you're sure to learn hunting isn't about killing.
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I was so young when the Killers started. I was 21. I'm proud of those songs, but there's no way I would write 'Somebody Told Me,' as I get older. Especially after having kids.
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I struggled with working with producers because no one openly wanted to give me a chance to rap on their beats. That's just honest talk. No one really wanted to take that risk.
