Amiri Baraka Quotes
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I had just been in some repressive situations - the black middle-class college scene and the crazy United States Air Force - and so I just felt like getting out of that. I thought, now, that I wanted to be a writer. I had something that I wanted to do, that I was interested in doing, so I wanted to pursue that.
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Jimmy Baldwin was not only a writer, an international literary figure: he was a man, spirit, voice - old and black and terrible as that first ancestor.
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I always liked jazz. And my people liked the old blues, race records and the doo-wop and all that.
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I changed my name when we became aware of the African revolution and the whole question of our African roots.
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There will be, and should be, reams and reams of analysis, even praise, for our friend but also even larger measures of non-analysis and, certainly, condemnation for James Baldwin, the Negro writer.
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As a political artist, I think you have to learn how to create art, no matter what your ideology is.
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The black artist's role in America is to aid in the destruction of America as he knows it.
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Jimmy Baldwin was the creator of contemporary American speech even before Americans could dig that. He created it so we could speak to each other at unimaginable intensities of feeling, so we could make sense to each other at yet higher and higher tempos.
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America is as much a black country as a white one. The lives and destinies of the white American are bound up inextricably with those of the black American.
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I met Malcolm the month before he was killed. He deeply changed my mind about America.
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If the flag of an armed enemy of the U.S. is allowed to fly over government buildings, then it implies that slavery, or at least the threat of slavery, is sanctioned by that government and can still legally exist.
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It seems natural to me that as a writer, you should have some kind of, you know, there should be some kind of projection that you actually have influenced people who are closest to you.
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I had a little portable typewriter. I call it my Harlem Literary Fellowship.
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Howard University shocked me into realizing how desperately sick the Negro could be, how he could be led into self-destruction, and how he would not realize that it was the society that had forced him into a great sickness.
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I'm trying to make the poems as musical as I can - from the inception. So that whether they're read on the page, or people read them aloud, or I read them aloud, the musicality will be kind of a given.
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The man who buried Malcolm X - my Muslim imam, priest - he, after I got beat up by police... came to me, and he said, 'You don't need this American name.' And I was susceptible to it at the time because, God knows, I had just gotten whipped near to death. So he gave me an Arab name; he gave me the name Amir Barakat.
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The poet is someone, I think, who's interested in registering experience immediately or giving you the sense of immediacy and directness.
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I came to my Marxist view as a result of having struggled as a nationalist and found certain dead ends theoretically and ideologically, as far as nationalism was concerned, and had to reach out for a communist ideology.