Ed Catmull Quotes
The Braintrust developed organically out of the rare working relationship among the five men who led and edited the production of 'Toy Story' - John Lasseter, Andrew Stanton, Pete Docter, Lee Unkrich, and Joe Ranft.
Quotes to Explore
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Marriage is like paying an endless visit in your worst clothes.
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Architecture is my work, and I've spent my whole life at a drawing board, but life is more important than architecture. What matters is to improve human beings.
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No matter how much money I make, no matter how many hit songs. I still perform like a street performer.
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One can never know enough. The unknown and its call lies even in what we know.
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To most boys with growing limbs and swelling sinews, physical activity is a natural instinct, and there is no need to drive them into the football field or the fives court: they go there because they like it, and there is no need to make games compulsory for them.
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We shot 'Telusa Telusa' song in Bolivia. It took us 50 hours to get to the location. We shot in high altitudes, and oxygen cylinders were kept handy.
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All business leaders need to be technologists, as every industry now has a Netflix or an Uber on the horizon, threatening to upend business as usual. Apps are driving this disruption, and every enterprise needs to become an app company.
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Caregivers attract caregivers and live in a community of love. They are energized by their caring, fulfilled, and they love life. Caretakers attract caretakers and live in the company of resentful victims who see themselves as misused and are fatigued from constant giving with no return.
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Happiness is a mysterious concept. It seems to work best as futurity: at that point I will be happy, et cetera. I feel like I experience small pieces of joy day to day.
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You learn to control every aspect of your muscles, your face, your toes, your fingernails. And that is how you tell a story, through movement.
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I actually have no style whatsoever. I'm the worst. I have people I talk to, and I say, 'Please tell me how to dress because I don't know what I'm doing.' The biggest thing for me is my mom. I'm like, 'Mom, do I look good?' If she says yes, I'm good to go.
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Let me just tell you how thrilling it really is, and how, what a challenge it is, because in 1988 the question is whether we're going forward to tomorrow or whether we're going to go past to the - to the back!
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When I go home, I play with my baby dolls and strollers and diaper bags, and play with my sisters.
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I know no man who feels deeper disgust than I do at the ambition, avarice, and profligacy of the priesthood, as well because every one of these vices is odious in itself, as because each of them separately and all of them together are utterly abhorrent in men making profession of a life dedicated to God.
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My uniform is sweatpants, so crusted over with dried paint that they're as hard as a table. I wear T-shirts that are also covered in paint, and Crocs.
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Every experience is a paradox in that it means to be absolute, and yet is relative; in that it somehow always goes beyond itself and yet never escapes itself.
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There are no galley-slaves in the royal vessel of divine love - every man works his oar voluntarily!
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If somebody offered me the money I would probably make one but would I actually seek it out? I don't know. I don't really live my life like that.
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The trouble with most of us is that we keep our eyes closed to opportunities that thrust themselves at us; and rare is the man who searches for his opportunity or sees one even when he stumbles over it.
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He jests at scars that never felt a wound.
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In a family business, you grow up with close contact to the business, whatever it is, and the beer business is certainly a very social type of business.
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History and social sciences were my interests. I was always interested in knowing how societies get organized, why there is rich and poor divide, why there are classes. I was never apolitical. I think we are all political in a way. Politics decides our day-to-day life.
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The Braintrust developed organically out of the rare working relationship among the five men who led and edited the production of 'Toy Story' - John Lasseter, Andrew Stanton, Pete Docter, Lee Unkrich, and Joe Ranft.
