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With 'Mental Jewelry,' we put a lot of pressure on ourselves to get something happening. I think we lost some of the personality in the music. 'Throwing Copper''s mission was to begin to get some of that back.
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Practicing love is a difficult thing to do. It's much easier to get angry.
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It's always so rewarding, gratifying to me, as an artist and a writer, to see how this music gets more important for a lot of people as time goes by. And it's not just nostalgia. It's a feeling of it's really relevant to their lives, even though it's 20 or 25 years old or more.
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I've never had trouble finding inspiration for new songs, no matter what I'm doing.
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Anarchy would be a world that nobody felt responsible for, that nobody felt any sort of love for. When there's real intelligence happening, when there's real love happening, there's a sense of responsibility: Hey, we've got to take care of this place and each other.
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Arenas, to me, and especially sheds, are really great venues. You get that sea of humanity, but everybody can still see it and hear it. And that's really important to us.
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I believe that rock and roll can really make a huge impact on people's lives.
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I've always been into asking the big questions; I'm the last guy out the door at closing time cuz I was sittin' around 'til the wee hours with the other ones who were asking the same things.
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I feel proud to be a part of rock n' roll and the whole tradition of rock n' roll.
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We came from a small town where there was no music scene or no other bands, and we decided to put ours together and go for it.
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I think that every band, whether they admit it or not, is going out there to succeed. I've always worn that on my sleeve.
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I remember people telling me that at 5 1/2 minutes long, 'Lightning Crashes' would never be a hit song.
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Music, in its clearest and simplest form, can be a catalyst to thought, but that's about it.
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All my favorite artists were pretty serious in the sense that their music was something I could sink my teeth into, from Peter Gabriel to U2 to these artists that made me want to read the lyrics and dig into it.
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We never really write 'love' love songs. There's always something twisted about them. But as far as love songs, women just became way more important to us after we turned 21, as a band in general. Kind of broke up our boyhood solidarity as we started branching out into babes.
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Our success just flies in the face of critics or people who would rather that we just failed... because we didn't fit into the style of the times or our lyrics were too upfront or too earnest or whatever.
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We've never been satisfied with just making 'me' music. What we're doing is trying to go to a place of some reverence.
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All of my favorite artists who inspired me were never afraid to be uncool and never afraid to wear their hearts on their sleeves - no matter how much flak they took for it.
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Life is full of inspiration, far more than I'll ever get to write about.
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I have never been able to separate - nor have I wanted to - my personal love and desire for truth, passion, and understanding from my lyrics.
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There's a lot of spirituality and hope in our music that I think people are catching on to. It's not punk, it's not Green Day, not Offspring, not Soundgarden, not Stone Temple Pilots, not all of the other bands that are coming out.
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The way you perform really depends on the way you live your life. It's not two separate things.
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I've never allowed my specific personal practice or belief to be overtly integrated to the music. Because that's crossing the line into, 'We want you to think this.' And that's not what we're about.
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When I was a kid, my aunt coached me a little bit for choir, and what she taught me actually stuck with me. She basically taught me to sing from my diaphragm and not from my throat.