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We really want the whole world to know about Live and to experience us.
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Arenas, to me, and especially sheds, are really great venues. You get that sea of humanity, but everybody can still see it and hear it. And that's really important to us.
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To make music that means something, you kind of have to drop the cool. You have to be prepared and willing to be uncool.
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I believe that rock and roll can really make a huge impact on people's lives.
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All my favorite artists were pretty serious in the sense that their music was something I could sink my teeth into, from Peter Gabriel to U2 to these artists that made me want to read the lyrics and dig into it.
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Our success just flies in the face of critics or people who would rather that we just failed... because we didn't fit into the style of the times or our lyrics were too upfront or too earnest or whatever.
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I feel proud to be a part of rock n' roll and the whole tradition of rock n' roll.
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It's always so rewarding, gratifying to me, as an artist and a writer, to see how this music gets more important for a lot of people as time goes by. And it's not just nostalgia. It's a feeling of it's really relevant to their lives, even though it's 20 or 25 years old or more.
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Music, in its clearest and simplest form, can be a catalyst to thought, but that's about it.
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I remember people telling me that at 5 1/2 minutes long, 'Lightning Crashes' would never be a hit song.
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As a songwriter and a singer in a successful rock band, I have had the good fortune of being surrounded by incredible musicians, lots of wonderful production on both record and onstage, and plenty of volume!
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I think that every band, whether they admit it or not, is going out there to succeed. I've always worn that on my sleeve.
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We never really write 'love' love songs. There's always something twisted about them. But as far as love songs, women just became way more important to us after we turned 21, as a band in general. Kind of broke up our boyhood solidarity as we started branching out into babes.
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There's a lot of spirituality and hope in our music that I think people are catching on to. It's not punk, it's not Green Day, not Offspring, not Soundgarden, not Stone Temple Pilots, not all of the other bands that are coming out.
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I hit this point - I guess you'd say an end of a chapter - where I felt like I kind of did everything. I wasn't interested in music. It was a really strange feeling, and needless to say, it freaked me out a little bit. I really started to go inward and say, 'Hey, what is this about?'
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The way you perform really depends on the way you live your life. It's not two separate things.
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I have never been able to separate - nor have I wanted to - my personal love and desire for truth, passion, and understanding from my lyrics.
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We take the art seriously. We take communicating it seriously. And maybe we took ourselves a little too seriously in the beginning. Sometimes I watch the videos, and I think, 'Yeah, you could've relaxed a lot in the 'I Alone' video,' you know?
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It's something I've always been passionate about - which is the power of rock and roll itself. I'm a walking example of its power, 'cause I was totally altered in the seminal years of Live by bands like U2 and R.E.M., U2 in particular.
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I think the message of the Live/Counting Crows tour is that, aside from what's going on trendwise, if you dig a little, you can always find something to inspire you.
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We've never been satisfied with just making 'me' music. What we're doing is trying to go to a place of some reverence.
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I am an Alanis Morissette fan. I think that she has a fantastic voice, and I would love to sing with her someday.
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Life is full of inspiration, far more than I'll ever get to write about.
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All of my favorite artists who inspired me were never afraid to be uncool and never afraid to wear their hearts on their sleeves - no matter how much flak they took for it.