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It's always so rewarding, gratifying to me, as an artist and a writer, to see how this music gets more important for a lot of people as time goes by. And it's not just nostalgia. It's a feeling of it's really relevant to their lives, even though it's 20 or 25 years old or more.
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I've never had trouble finding inspiration for new songs, no matter what I'm doing.
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I believe that rock and roll can really make a huge impact on people's lives.
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Arenas, to me, and especially sheds, are really great venues. You get that sea of humanity, but everybody can still see it and hear it. And that's really important to us.
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I hit this point - I guess you'd say an end of a chapter - where I felt like I kind of did everything. I wasn't interested in music. It was a really strange feeling, and needless to say, it freaked me out a little bit. I really started to go inward and say, 'Hey, what is this about?'
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Practicing love is a difficult thing to do. It's much easier to get angry.
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Anarchy would be a world that nobody felt responsible for, that nobody felt any sort of love for. When there's real intelligence happening, when there's real love happening, there's a sense of responsibility: Hey, we've got to take care of this place and each other.
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I've always been into asking the big questions; I'm the last guy out the door at closing time cuz I was sittin' around 'til the wee hours with the other ones who were asking the same things.
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I feel proud to be a part of rock n' roll and the whole tradition of rock n' roll.
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I remember people telling me that at 5 1/2 minutes long, 'Lightning Crashes' would never be a hit song.
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I think that every band, whether they admit it or not, is going out there to succeed. I've always worn that on my sleeve.
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Music, in its clearest and simplest form, can be a catalyst to thought, but that's about it.
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All my favorite artists were pretty serious in the sense that their music was something I could sink my teeth into, from Peter Gabriel to U2 to these artists that made me want to read the lyrics and dig into it.
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Our success just flies in the face of critics or people who would rather that we just failed... because we didn't fit into the style of the times or our lyrics were too upfront or too earnest or whatever.
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We never really write 'love' love songs. There's always something twisted about them. But as far as love songs, women just became way more important to us after we turned 21, as a band in general. Kind of broke up our boyhood solidarity as we started branching out into babes.
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We came from a small town where there was no music scene or no other bands, and we decided to put ours together and go for it.
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We've never been satisfied with just making 'me' music. What we're doing is trying to go to a place of some reverence.
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All of my favorite artists who inspired me were never afraid to be uncool and never afraid to wear their hearts on their sleeves - no matter how much flak they took for it.
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I have never been able to separate - nor have I wanted to - my personal love and desire for truth, passion, and understanding from my lyrics.
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There's a lot of spirituality and hope in our music that I think people are catching on to. It's not punk, it's not Green Day, not Offspring, not Soundgarden, not Stone Temple Pilots, not all of the other bands that are coming out.
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Life is full of inspiration, far more than I'll ever get to write about.
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It's something I've always been passionate about - which is the power of rock and roll itself. I'm a walking example of its power, 'cause I was totally altered in the seminal years of Live by bands like U2 and R.E.M., U2 in particular.
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I am an Alanis Morissette fan. I think that she has a fantastic voice, and I would love to sing with her someday.
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The way you perform really depends on the way you live your life. It's not two separate things.