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Work is work; wherever I'm working, I do the best I can. If the actual dollars come from investors as opposed to taxpayers and patrons, what's the difference?
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The formal education that I received made little sense to me.
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This is the strange thing: Dancers don't age.
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There's this expression called postmodernism, which is kind of silly, and destroys a perfectly good word called modern, which now no longer means anything.
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I do at least 75 push-ups a day.
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Dance is just like film in that it allows for thoughts in movement.
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Dance should not just divide people into audience and performers. Everyone should be a participant, whether going to classes or attending special events or rehearsals.
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Unfortunately, I think we've probably all had the experience that if we're in a relationship where one of the partners is doing it 'my' way, that relationship is not going to survive.
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With each piece I've completed I have worked to make it intact, and each of them has been an equal high. It's like children. A mother refuses to pick out one as a favorite, and I can't do any better with the dances.
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I think a sense of humor will help get a girl out of a dark place.
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I used to say to myself, 'Well, in the old days everybody danced because they loved to dance, and there was none of this professional garbage going on about how much can you get for this or that or the other, or any of the kinds of things that insecurity can sometimes promote. Sometimes it's for the wrong reasons.'
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A dancer's life is all about repetition.
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In those days, male dancers were a rarer breed than women. as they are still today, A good male dancer, one as strong as we were, was very difficult to come by if you couldn't afford to pay them.
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The necessity to constantly turn in an excellent performance, to be absolutely wedded to this dedication and this ideal means that as a child you're going to pay for it personally.
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Everyone has a talent. It's simply a question of good discipline, of the good fortune to have an education that meshes with that talent, and a lot of luck.
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In the not-for-profit world, there can be wastefulness because there's not the desperate urgency of when you're on a clock.
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Broadway has some very tight expectations as to what a show is.
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Things change all the time, so why do people make such a philosophical to-do that things are constantly in transition?