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	One must let the play happen to one; one must let the mind loose to respond as it will, to receive impressions, to sense rather than know, to gather rather than immediately understand.   
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	What I wanted to get at is the value difference between pornographic playing-cards when you're a kid, and pornographic playing-cards when you're older. It's that when you're a kid you use the cards as a substitute for a real experience, and when you're older you use real experience as a substitute for the fantasy.   
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	Good writers define reality; bad ones merely restate it. A good writer turns fact into truth; a bad writer will, more often than not, accomplish the opposite.   
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	Your source material is the people you know, not those you don't know, but every character is an extension of the author's own personality.   
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	Remember one thing about democracy. We can have anything we want and at the same time, we always end up with exactly what we deserve.   
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	Q: Do you find quite a difference between the audience at large and the critics as a group? A: Well, one is a group of human beings, one is not.   
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	Sometimes a person has to go a very long distance out of his way to come back a short distance correctly.   
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	What people really want in the theater is fantasy involvement and not reality involvement.   
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	The only time I'll get good reviews is if I kill myself.   
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	American critics are like American universities. They both have dull and half-dead faculties.   
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	I have a fine sense of the ridiculous, but no sense of humour.   
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	I created myself, and I'll attack anybody I feel like.   
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	A play is fiction - and fiction is fact distilled into truth.   
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	Do you know what a playwright is? A playwright is someone who lets his guts hang out on the stage.   
