Lizzy Caplan Quotes
I'm choosy to a fault. You want to hold out for a project that means something. You're the one who's there working fifteen hours a day, and if you don't believe in it, it can feel a whole lot longer.

Quotes to Explore
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The mirror to the beautiful is beautiful.
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I was a dispatcher, flat-tire fixer, changed the oil, fixed the fan belts. There was nothing too good for me.
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In theory, there is no difference between theory and practice. But, in practice, there is.
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When you appear on the screen, often enough you become sexy, even if you look like an elephant.
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The most fascinating person is always the one of the most winning manners; not the one of greatest physical beauty.
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In my state, over 17,000 households are going hungry on a regular basis.
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Over this August district work period, like many of my colleagues, I spent a lot of time with the men and women in uniform from my home State. The 196th Field Artillery Brigade just got back from a year in Afghanistan.
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In the five months I wrote the final draft of 'The Association of Small Bombs,' I never fell out of the book. The world was real to me: plausible and powerful.
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Information of fundamental importance to the general problem of atomic structure has resulted from systematic studies of the cosmic radiation carried out by the Wilson cloud-chamber method.
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I was doing things that weren't good for me. So I checked into the Churchill Priory clinic. It was the best thing I've done for ages.
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The coming-of-age story has sort of become a joke. It's something to capitalize on, and that is painful because when you are coming of age - when you are going through something like that - the genre is so meaningful.
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It used to be that watching a film was a very special occasion, the same way flying was. Before, if you took a flight from New York to L.A., most of the windows would be open. Now, we get on planes and we just close them because we're so used to what it feels like. I think the same thing has happened with cinema.
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I was told that, when 'Betrayal' was being produced by one of the provincial companies in England, the two actors playing those roles actually went into a pub one day and played that scene as if it were really happening to them. The people around them became very uncomfortable.
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When my husband is away and I'm by myself, my neighbours will insist I eat with them every single night because they see it as unhealthy to eat by yourself.
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Only people who have been allowed to practise freedom can have the grown-up look in their eyes.
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I'm for people bettering themselves, no matter who they are and where they are, doing all they can to be all they can be.
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I can not stay at the place when a stranger starts talking to me. I will try to cut the speech as quick as possible and move away. I had to break this inhibition before becoming an actor.
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As an actor, you look for roles that can constantly challenge you and you can learn from.
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I believe I drank too much wine last night at Hurstbourne; I know not how else to account for the shaking of my hand today. You will kindly make allowance therefore for any indistinctness of writing, by attributing it to this venial error.
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It is noticeable how many times you see a panel at a conference made up of all men or look into the audience and see very few women, whether it is an event focused on technology or business.
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Your righteous eyes, your laconic trigger-fingers people the streets with villains: as you move, the air in front of you blossoms with targets and you leave behind you a heroic trail of desolation: beer bottles slaughtered by the side of the road, bird- skulls bleaching in the sunset.
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I believe I've got the best of both worlds - a modern man with old fashioned values. I'm happy to be a house husband but won't let my wife carry her own bag.
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I'm choosy to a fault. You want to hold out for a project that means something. You're the one who's there working fifteen hours a day, and if you don't believe in it, it can feel a whole lot longer.