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(We are) the herpes of American cinema (because) we aren't going anywhere...
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Our violence is, as you know, cartoon violence.
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The New York Times is busy sucking the teat of the major studios. They twist themselves into a pretzel when Kumar and Schmumar Go to White Castle Part III. They say, 'Oh, the farts are such a statement about American culture! It's such great satire!' It's bullshit. Troma paved the road for farts! But we don't exist.
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When I was at Yale, I hung a bit with the Warhol gang. I used some of his superstar types in early movies. I can't say I had any conversations with him, but I did pass him at Max's Kansas City. But I was a big fan of his movies.
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Netflix has already gone mainstream. Not mainstream but they’ve gone snob. They have an angry housewife who’s making all the selections.
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The internet is not necessarily a golden goose yet, but we must fight to keep it safe, keep it level, keep it democratic, keep it open, keep it diverse so that when it becomes the golden goose, we independent artists can share and maybe at least get a wing or a thigh, even if we don’t get the breast meat.
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Sundance was bullshit. Originally Sundance, Sundance maybe in its first few years, I wasn’t there but I went to Sundance for 10 years and it was a vassal of the majors. It was a vassal. Sundance was there to help Miramax and Fox Searchlight. That’s what was independent at Sundance.