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In '42,' it's like the '40s where racial equality had come into the consciousness of a lot of people, whereas in the 1900s it was sort of a new thing.
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I think that a man should not be shy; you should say what you really think and feel - put it out there.
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I think that's what makes characters interesting - when you paint a person into a corner, and you see what they do to get out of that corner. It's what makes drama drama.
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I studied acting in NYU's graduate program, in which we covered everything from Ibsen and Chekov to August Wilson and David Mamet.