Andrea Arnold Quotes
My films don't give you an easy ride. I can see that. The sense I get is that people have quite a physical experience with them. They feel afterwards that they've really been through something.

Quotes to Explore
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Why should people go out and pay money to see bad films when they can stay at home and see bad television for nothing?
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I know there is something out there and like most people, I tend to believe in it more when things go bad.
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Helping people boost themselves out of poverty is the best way to make a lasting positive difference in a person's life.
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The record business is dangerous to the health of bands and individuals, which is something I'm just now learning. But it's not dangerous in any of the ways people think; it's not that they try to make you compromise your art. That's not the problem.
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I'm a big champion of people doing things outside the system.
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Intermarriage is not a calamity but an opportunity for both a Jewish and non-Jewish partner to learn.
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Me, it was always about being able to bounce around to where I wanna be. Like, with 'Arular,' people always say it's so political, but I think 50 per cent of the album is not very political at all. It's just really a shouty, shouty girl thing.
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It's my job to make sure that the people I'm gonna team up with for my music see everything that I'm about: Put all my cards on the table and don't make them guess.
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We have people around the world who live in the United States, and these people don't deserve to be called traitors.
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I don't want to forgive myself. That's why I hate psychoanalysis I think if you're guilty of something you should live with it. Get rid of it - how can you get rid of a real guilt? I think people should live with it, face up to it.
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In the long course of history, having people who understand your thought is much greater security than another submarine.
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I love it when people travel to see one of my works, and I always make time to meet and talk with them.
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People going into the cities for the opportunities and the towns are getting older, no young people.
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There was no welfare state, and people had to rely mainly on the Poor Law - that was all the state provided. It was very degrading, very humiliating. And there was a means test for receiving poor relief.
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I think probably the only thing that is around in these songs is that I was really lonely when I wrote a lot of them. But it was really by my own choosing because I was devoting myself to songwriting and dancing and I wasn't really going out and seeing people.
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We are a people trying not only to solve the problems of the present: unemployment, inflation... but we are attempting on a larger scale to fulfill the promise of America.
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If you look at the world's top 50 drugs being sold today, they are being marketed and sold by companies that did not invent them. I respect patents. I'll pay a royalty. But I shouldn't be denied the right to produce drugs for poor people at reasonable prices.
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I was watching 'Deal or No Deal' on YouTube recently, and I bawled when the contestant won £250,000. I think I just like watching people achieve their dreams.
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Why are we in this mess, now facing the prospect of economic armageddon? It's because the prevailing characteristic has been greed, and it doesn't matter whether it's individuals living beyond their means or governments living beyond their means or people seeking to get rich quick.
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Being a survivor doesn't mean being strong - it's telling people when you need a meal or a ride, company, whatever. It's paying attention to heart wisdom, feelings, not living a role, but having a unique, authentic life, having something to contribute, finding time to love and laugh. All these things are qualities of survivors.
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Im Reiche der Zwecke hat alles entweder einen Preis oder eine Würde. Was einen Preis hat, an dessen Stelle kann auch etwas anderes als Äquivalent gesetzt werden; was dagegen über allen Preis erhaben ist, mithin kein Äquivalent verstattet, das hat eine Würde.
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I was promoted associate professor in early 1970 and full professor in October of the same year. I spent the two spring semesters of 1972 and 1974 as visiting professor at Harvard University, giving lectures and directing a research project.
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Our task, in the aftermath of September 11, was and continues to be the transformation of the effects of evil into something beautiful and good.
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My films don't give you an easy ride. I can see that. The sense I get is that people have quite a physical experience with them. They feel afterwards that they've really been through something.