Lorde (Ella Marija Lani Yelich-O'Connor) Quotes
I'm speaking for a bunch of girls when I say that the idea that feminism is completely natural and shouldn't even be something that people find mildly surprising, it's just a part of being a girl in 2013.
Quotes to Explore
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I'm not anti-middle-class in the slightest. Look at me! I am very pro people putting time and money and effort into trying to improve the world.
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It's one thing to live my own life and know that I'm O.K. But there's another thing I want to take on, and that is letting people know that they're O.K., too.
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I do have to travel a lot for speaking engagements.
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When I'm around black or white people, I'm always in the middle. Especially when I am around black people; they will really tell how they feel about white people regardless of the fact that I'm also white and have white relatives. It's very interesting and can be really hard.
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People are predominant in my paintings. Although they are not obvious, you can feel their presence.
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People like to pigeonhole you. It's easier.
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The record business is dangerous to the health of bands and individuals, which is something I'm just now learning. But it's not dangerous in any of the ways people think; it's not that they try to make you compromise your art. That's not the problem.
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Malicious attacks on the Soviet Union produce a natural feeling of indignation.
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I purposefully try to make films in that grey area, where things are morally ambiguous. It's like life: good people do horrible things, and bad people do good things, and there's beauty in horror and horror in beauty.
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Our admiration of the antique is not admiration of the old, but of the natural.
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I can't take the subway anymore. I think I can still take the bus, though. It's a double-edged sword because I'm grateful that people recognize and support me, but there are definite downsides to that.
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I'm not confident around compliments or being celebrated, and I'm not comfortable with the thought of envy, which some people thrive on.
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Natural resources must be so distributed, by way of auction or otherwise, that they serve a larger public purpose.
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You learn so much about yourself as an artist. I never would have thought that I could sing every night, you know? Travel and perform every single night, and travel to another city the next day and do it all over again? You learn a lot of new things about yourself, and you make a lot of connections with people.
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I wash my hair once or twice a week to keep the natural oils.
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It's a matter of taking the side of the weak against the strong, something the best people have always done.
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When people take advantage of you and make a business out of it, that's not nice.
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The fact is, funnily enough, that the people who seem to be most committed to causes also seem to be least invested in anyone actually talking to each other.
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What is a good performance? It lies in the hands and head of a performer... the shortest way between two people is not a straight line.
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Obsessed people are not humorless at all.
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Even if your family isn't quite there for you, find the people that support you and hang on to those people and try to let go of those that try to take you down.
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I think that I would really like at first for the art to speak for itself. I don't see the need for a lot of personal information about my past or who I am. I would rather the personal side of it just be in the concepts and the genuine feelings that I filter through my work. I know that it's inevitable that people can find whatever they want about me. Once I've had a chance to create a language and a world with my art, then I'm more comfortable sharing that information.
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Education is a cause very close to me. What matters is encouraging my fans to focus on their education, because only an educated generation can ensure a better future. Even when I was on tour, I did my homework and studied.
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I'm speaking for a bunch of girls when I say that the idea that feminism is completely natural and shouldn't even be something that people find mildly surprising, it's just a part of being a girl in 2013.
