Lorde (Ella Marija Lani Yelich-O'Connor) Quotes
I'm really interested in kind of weird social situations and cliques, watching girls vying for attention, watching how the popularity thing happens. I've always thought too hard about everything.
Quotes to Explore
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I really love storytelling.
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Guard with jealous attention the public liberty. Suspect everyone who approaches that jewel. Unfortunately, nothing will preserve it but downright force. Whenever you give up that force, you are inevitably ruined.
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I was that weird eight-year-old who was really interested in Shakespeare and understood it and appreciated the language.
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The Southern Ground warehouse is rocking and rolling in Atlanta, with a T-shirt shop and a leather shop; everything we're selling at our shows we're making or publishing ourselves.
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It is what it is, and it ain't nothin' else... Everything is clearly, openly, plainly delivered.
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You should always care about what you're eating because it's your body, and you should always want to eat healthy foods, but dieting tactics in Los Angeles are really confusing. There are so many different weird diets out there.
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It is not weird for a dad to be doing the dishes, the laundry, and taking the kids to school, and read them stories for bed.
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I'm a collaborator. I know I don't know everything. I don't want to know everything.
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For me, being a mum has been a really, really instinctive thing.
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This is kind of weird, but I eat lemons with salt as snack. They're so good!
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I feel 'proud' whenever I feel that I've worked on something for a certain amount of time with a certain amount of attention. I'm not sure if I think in terms of 'pride' though.
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A fighter lives in his training camp, and I'm not always paying attention to what is happening on the outside. But I do know the Mexican people and the Mexican-American people in this country are very hard-working people. That's my only comment about Donald Trump.
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It's a really scary thing, having your dreams come true and seeing everything you ever wanted happening, getting the attention for it and then not knowing how to handle it properly.
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Dining rooms are really all about the table and the chairs.
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When I'm home on a break, I lock myself in my room and play guitar. After two or three hours, I start getting into this total meditation. It's a feeling few people experience, and that's usually when I come up with weird stuff. It just flows. I can't force myself. I don't sit down and say I've got to practice.
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Not everything has to be a couples' event.
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To me, it's weird when people review improv at all.
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On 'Honeybabysweetiedoll' I used a Whammy, a Boss OC-3 octave box, a Sustainer and a Line 6 DL4 Delay Modeler. That's only on the intro, where all those weird noises are happening.
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I didn't really get London until I read Dickens. Then I was charmed to death by it.
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Men pay most attention to what is their own: they care less for what is common; or, at any rate, they care for it only to the extent to which each is individually concerned.
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I think one of the defining moments of adulthood is the realization that nobody's going to take care of you. That you have to do the heavy lifting while you're here. And when you don't, well, you suffer the consequences.
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In my relationship with a young guy I was going with in a band - his name was Sylvester, and I think he had another little girl on the side - I told him, 'If you lose me, you're going to lose a good thing.' And I went home and put that poem to music.
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Fellow citizens, we cannot escape history. We, of this Congress and this administration, will be remembered in spite of ourselves. No personal significance, or insignificance, can spare one or another of us. The fiery trial through which we pass will light us down in honor or dishonor, to the latest generation.
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I'm really interested in kind of weird social situations and cliques, watching girls vying for attention, watching how the popularity thing happens. I've always thought too hard about everything.
