Lorde (Ella Marija Lani Yelich-O'Connor) Quotes
I'm really interested in kind of weird social situations and cliques, watching girls vying for attention, watching how the popularity thing happens. I've always thought too hard about everything.
Quotes to Explore
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I really love storytelling.
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I was that weird eight-year-old who was really interested in Shakespeare and understood it and appreciated the language.
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The Southern Ground warehouse is rocking and rolling in Atlanta, with a T-shirt shop and a leather shop; everything we're selling at our shows we're making or publishing ourselves.
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It is what it is, and it ain't nothin' else... Everything is clearly, openly, plainly delivered.
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It is not weird for a dad to be doing the dishes, the laundry, and taking the kids to school, and read them stories for bed.
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I'm a collaborator. I know I don't know everything. I don't want to know everything.
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For me, being a mum has been a really, really instinctive thing.
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This is kind of weird, but I eat lemons with salt as snack. They're so good!
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I feel 'proud' whenever I feel that I've worked on something for a certain amount of time with a certain amount of attention. I'm not sure if I think in terms of 'pride' though.
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A fighter lives in his training camp, and I'm not always paying attention to what is happening on the outside. But I do know the Mexican people and the Mexican-American people in this country are very hard-working people. That's my only comment about Donald Trump.
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It's a really scary thing, having your dreams come true and seeing everything you ever wanted happening, getting the attention for it and then not knowing how to handle it properly.
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Dining rooms are really all about the table and the chairs.
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When I'm home on a break, I lock myself in my room and play guitar. After two or three hours, I start getting into this total meditation. It's a feeling few people experience, and that's usually when I come up with weird stuff. It just flows. I can't force myself. I don't sit down and say I've got to practice.
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To me, it's weird when people review improv at all.
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On 'Honeybabysweetiedoll' I used a Whammy, a Boss OC-3 octave box, a Sustainer and a Line 6 DL4 Delay Modeler. That's only on the intro, where all those weird noises are happening.
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I never set out to write songs about the world around me... it just kind of came about as a result of paying more attention to things.
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I'm really obsessed with the past.
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Oftentimes, in fact I think this is to my fault, I look at usually scripts as a whole. I should probably pay more attention to the character that I'm going to play and what they do.
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Just like all great stories, our fears focus our attention on a question that is as important in life as it is in literature: What will happen next?
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It's like some weird excuse for high school kids to vomit. It's not good. It's stupid. I'm sure that's not what St. Patrick's Day is supposed to be about, but who knows.
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I'd like to do some things over again. I never want to repeat anything that went well, though - I just want to do better at slightly different things.
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Listen to the women. Women say exactly what they want. Who has concrete plans - not macroeconomics but kitchen table economics. Who will change the situation for their families, and help restore the middle class. Women are also sick to death of having their bodies and their lives treated as a political football.
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I’ll try to be around and about. But if I’m not, then you know that I’m behind your eyelids, and I’ll meet you there
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I'm really interested in kind of weird social situations and cliques, watching girls vying for attention, watching how the popularity thing happens. I've always thought too hard about everything.
