Loretta Young Quotes
Quotes to Explore
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After I was assaulted in Egypt, I learned fear. I've just never been so scared in my life. I've never been so close to death.
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What makes life worth living? Better surely, to yield to the stain of suicide blood in me and seek forgetfulness in the embrace of cold dark death.
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I'm not afraid of death. What's to fear? Once you're dead, that's it. Nothing. I don't believe in heaven or hell. That's baloney. What matters is the here and now. Yes, I'm 88, and there are things I can't do: I can't run a race or climb Everest. But isn't life magnificent?
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I always wanted the films to play in malls, and I wanted as many people as possible to see them. I never want them to be marginalized in the kind of rarefied, elitist world. I always have hopes that the films will permeate culture in a big way. A lot of times, I'm wrong, but it's always the hope.
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Among the many signs of a lively faith and hope we have in eternal life, one of the surest is not being overly sad at the death of those whom we dearly love in our Lord.
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I'm not afraid of death, but I resent it. I think it's unfair and irritating.
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Parenthood, like death, is an event for which it is nearly impossible to be prepared. It brings you into a new relationship with the fact of your own existence, a relationship in which one may be rendered helpless.
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Thirty-three-years-old, still creating art. It's rage, it's creativity, it's pain, it's hurt, but it's the opportunity to still have my voice get out there through music.
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I always get the 'goth girl' thing because I wear black. But I don't worship death.
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So certainly, if we can tell evil stories to make people sick, we can also tell good myths that make them well.
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In an artwork you're always looking for artistic decisions, so an ashtray is perfect. An ashtray has got life and death.
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I will admit, like Socrates and Aristotle and Plato and some other philosophers, that there are instances where the death penalty would seem appropriate.
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Am I a trance medium? No. Have I got a gift psychically? Absolutely not. But I believe in the survival of consciousness after death.
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There's nothing wrong in suffering, if you suffer for a purpose. Our revolution didn't abolish danger or death. It simply made danger and death worthwhile.
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Because success is such a weasel word anyway, it's such a horribly American word, and it's such a vamp and, I think it's a death trap.
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When we have done our best, we can, as a united people, take whatever may befall with calm courage and confidence that this old nation will survive and if death should come to many of us, death is not the end.
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Love and death are the two great hinges on which all human sympathies turn.
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I've worked very hard to become comfortable with how death works and why it happens. I now know that death isn't out to get me.
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When we reach reflexively for something to dull an ache inside of us, in that very moment of reaching, we are hiding from our pain. We're storing it away. Tamping it down.
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Take up a weapon and you become an instrument with as pure a purpose as the weapon itself: to find arteries and open them, limbs and sever them; to take what is alive and deliver it unto death.
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Who knows but life be that which men call death, And death what men call life?
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Come hell or high water you will never take me back to the place I was before. I have been through too much to let life whoop me again. My faith is stronger than it's ever been, my mind is more tenacious than it's ever been, my soul is more absolute.
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It was somewhere in doing the last season of 'Leverage' that John Rogers and I became confident that we had developed an all-new production technique where we could put more on the screen with very little money. So we started to get more comfortable with the idea of trying to tackle 'The Librarians.'
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I've always been scared to death of pain - afraid, even, to think of it.
