Immanuel Kant Quotes
This proof can at most, therefore, demonstrate the existence of an architect of the world, whose efforts are limited by the capabilities of the material with which he works, but not of a creator of the world, to whom all things are subject.
Quotes to Explore
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When foreign assistance has a clear mission, buy-in from the aid-recipient country, and explicit metrics for implementation, the United States will be able to transition aid-recipient nations into strong trading partners. One of the greatest examples of this successful transition is South Korea.
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Listen to the Bee Gees and you can learn to be a great writer.
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I'm as radical as libertarians come.
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People speak of the fear of the blank canvas as though it is a temporary hesitation, a trembling moment of self-doubt. For me it was more like being abducted from my bed by a clown, thrust into a circus arena with a wicker chair, and told to tame a pissed-off lion in front of an expectant crowd.
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Our party, I can tell you, is very transparent; we believe in our credentials. Our credentials are our only credibility; we are not going to compromise on that; we are the commoners.
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After six years without seeing one, I love just seeing a smile - every smile I see gives me hope.
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Your private life is really very important for you. You know, all of us, you know.
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You've got to really be able to accept the rejection.
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We make assumptions: nurses should be nice, teachers should be good. But everyone has a dark side, some darker than others.
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I can't imagine playing a boring gig. Like, a boring audience without reaction, I will play against them.
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But eventually it is a game of cricket.
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We didn't rehearse or play the songs to death before we recorded them, and that let us catch a freshness and energy level we've never really felt while making records.
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A person isn't who they are during the last conversation you had with them - they're who they've been throughout your whole relationship.
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Fear may very well be a caveman fear of the predator, of the giant lizard chasing them - maybe that's what Steven Spielberg connects with so well in Lost World.
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I've written a screenplay that is a series of monologues and songs; they form this sort of human tapestry across time and place. The form is strange, but I find it really fascinating.
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Corporate nationalism to me is a little bit like what would have happened if Hitler had won. It's scary stuff. It's totalitarianism in a different from, under a different flavour.
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Learning about factory farms and their horrendous treatment of animals is what made me become vegetarian in the first place. I also support the education of the public on adopting pets from animal shelters or saving homeless animals off the street in lieu of buying them from pet shops.
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In the Senate, you can become one of the nation's leading voices on the issues.
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I count myself as not only just an artist, not only as a singer, but a business woman. I write my own songs; I write my own video treatments, manage other artists. I write for other artists; it's not just about getting on stage and singing a song.
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Could you imagine me and the roasters taking on the GOP field? It would be the greatest show ever. Prove that you can take a joke. Prove that you're a man or woman of the people. Prove that you're not above criticism even in the form of a backhanded compliment.
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I think the two are kind of synonymous for me; songwriting is like my form of diary making. It's how I process the world. Without doing that, I feel kind of lost. The characters that I play often come out in the songs and the challenges that they face, albeit in an abstract way.
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My own business always bores me to death. I prefer other people's.
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With my family, I'm trying to raise them to have respect for all people and make friends around the world and feel at home with the world and really live a truly global life because I think it's what forms them and it's really important to me.
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This proof can at most, therefore, demonstrate the existence of an architect of the world, whose efforts are limited by the capabilities of the material with which he works, but not of a creator of the world, to whom all things are subject.
