Louise Bourgeois Quotes
I have drawn my whole life. My parents were in the tapestry restoration business, and as a young girl, I would draw in the missing parts of the tapestry that needed to be re-woven. My ability to draw made me indispensable to my parents.
Quotes to Explore
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In terms of achievement, the pride is very important to me. It keeps me going every day. The money is always second to me.
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I shall produce nothing that will offend the proprieties, whether applied to children or grownups. My pictures are turned out with clean hands and, therefore, with a clear conscience which, like virtue, is its own reward.
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I was a dispatcher, flat-tire fixer, changed the oil, fixed the fan belts. There was nothing too good for me.
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I've been very fortunate with my three spec scripts - which is sort of my thematic trilogy of the American Frontier. With 'Sicario', 'Hell or High Water' and then 'Wind River' - which is the third - there were no rewrites. It was the first draft for all three.
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I think that people need an adrenalin rush. Folks need something aspirational; they need to do something that is hard. That's what ignites the imagination.
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So, two cheers for Democracy: one because it admits variety and two because it permits criticism.
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I was a big fan of Indiana Jones; then I realized he was kind of a fake hero. The real heroes are the people who work hard and do their stuff right, like firefighters and policemen.
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It seems like bluegrass people have more great stories to tell than other musicians.
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I am not a name-dropper. I can't help it if everybody I know is famous.
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You are not alone with a guy until you are a proper age. You don't go to certain levels with men until you are married or you have a certain relationship.
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Open-source encyclopedias such as Wikipedia and search engines such as Google and Bing, which people can tap into anytime and anywhere via computers and smart phones, put a world of knowledge at our fingertips at a lower cost than ever before.
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I was told that, when 'Betrayal' was being produced by one of the provincial companies in England, the two actors playing those roles actually went into a pub one day and played that scene as if it were really happening to them. The people around them became very uncomfortable.
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People really love editorial cartoons, and I think publishers understand that.
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Well, for us, in history where goodness is a rare pearl, he who was good almost takes precedence over he who was great.
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I just have an inability to lie.
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After the Soviet Union collapsed, people thought I wasn't funny anymore.
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I always like to play roles where I either love the character or think that it's a story that I can tell better than anyone else. There are always reasons for me to do whatever I do.
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It costs a great deal of money to do a musical, and the more money involved, the more big business influences the artform.
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I view myself as a dealmaker.
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Yum-O! I say this if something is so good that 'yum' just isn't enough of an exclamation. The accent is on the 'O' as in, 'Oh! That is so good!'
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My work first engaged with the early russian avant-garde; the paintings of moholy-nagy, el lissitzky's 'prouns' and naum gabo's sculptures, but in particular with the work of kasimir malevitch - he was an early influence for me as a representative of the modern avant-garde intersection between art and design.
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I was concerned about filling my life up with something important to me. To me, it was just necessary.
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Life is a question without a standard answer.
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I have drawn my whole life. My parents were in the tapestry restoration business, and as a young girl, I would draw in the missing parts of the tapestry that needed to be re-woven. My ability to draw made me indispensable to my parents.
