Luc Besson Quotes
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My concern 99% is about the storytelling, the emotion and all this. I never think about the format of anything until way far in the process and when we arrive to the fabrication of the thing then we start to say, "Okay right, what is the best thing we can do." I choose the car before to choose the color.
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We have in Valerian a bible that's 600 pages. There are five pages on each alien and where they come from. Even the address you can check on the map. On the star map. It's real numbers.
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We talked a lot with the musician. And for now there are few options, and I give him few weeks to come and surprise me with something. I don't want to start and say, okay here is what I want. Because maybe he has an idea that is better than mine.
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I did The Fifth Element and Jean-Claude Mezieres, the artist of Valerian; he was working on Fifth Element. And he's actually the one who say, why don't you do Valerian? And I said because we can't make it. And you really have to wait for Avatar and to suddenly think oh okay, maybe we can think of it. But before Avatar, just forget it.
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Loving a film is like falling in love with a woman or with a man like you never expect it. It it's not the one you think you will be in love with, you know. You think always that he will be with a beard, and black, and big and finally he's Chinese and you know it's the same thing. There's something very organic about the film and if you forgot it, if you don't have this seed in it...this organic flavor in it the film doesn't work it's wrong.
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I wanted to prove that I could do something, so I made a short film. That was in fact my main concern, to be able to show that I could do one.
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You know, money will never save anyone. Compassion can save someone, love can save someone, money will never save anyone. And as long as the entire society will put money first... Money should be like third or fourth or fifth, I'm not saying lets get rid of money, but how can we put money as number one? As the only value, like if you are rich, you're famous you go VIP, why? It's just insane, the way we've transformed the society.
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Cara Delevingne I wanted to be sure that she would be involved. 'Cause she didn't do a lot of films before I met her, so I didn't know if she was serious and so I push her a bit.
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For example, in your house, you have the heater on the ground itself. Here, it's the gravity. No matter where you are, that's where the gravity is coming from. It's almost like a carpet that you put down. If you're on the other side, it doesn't matter to us because we're still walking on the ground. Actually, at the beginning of the film [Valerian], we see when they install the gravity system.
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I'm a big Star Wars fan.
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I think it's the society that drains us out, and we are in a society where we are driven by money.
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I never think about franchises, to be honest. I always just do the film.
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If you're someone from the government and you meet people from other countries, you want to know who you're dealing with. It's the same for them in Valerian.
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After six, seven films, I started to get a little tired. Shooting takes a lot out of you.
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I try to follow my instinct as a moviegoer and I do the thing I would love to see it at a movie. I'm like everyone, almost, I go to a movie once a week. I like every kind of film if it’s well made. I’m fine. I’m not a specialist fighting for a genre of film. You just have to follow your instinct.
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Live your life, experience something, and then you're going to have a lot of things to say. But if you hang around in Hollywood, then you're going to say the same thing as everyone else - nothing.
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What a director is looking for is someone who will follow you and no matter what. And if you ask for blue, he's gonna try blue. And if you say, give me a piece of red with it, and they try. And you don't mind so much if it's difficult to get the blue and the red together. As long as they try. And as long as they give everything they can to give you what you want. That's what I'm looking for.
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I don't want to show kids that I am smoking.
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Sometimes I see people finish a film and they go, "Yeah, that was good. Where are we going to eat?"
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I said if I made 10 films in my life, I would be very lucky. That's how I meant it. My fear after my first one was whether they would let me make another one, so I had this goal in my head.
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I wanted to do something that was entertaining - but with a catch.
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I would rather stop making movies too soon than too late.
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I won't be able to do a film just for bad reasons, for money or for - I just can't. If I have one more where I feel I can bring you something, I will do it.
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You know sometimes you're in a position of risk and you feel that you can turn good or bad.