Anjelica Huston Quotes
I know certainly, when one job draws to a close, that I feel I'm simply never going to work again. No one will ever want me for anything ever again. I think that's a vulnerable moment in every actor's life, and it happens every time you finish a film.
Quotes to Explore
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You know, it's a hugely difficult thing to take any work of art or drawing and say 'make that real.'
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The essence of the beautiful is unity in variety.
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If DreamWorks and Disney need that name to sell the cartoon and get people in the seats, that's what they need. It's not fair, but there's plenty of other work for us to do.
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Every time you work, you have to do it all over again, to rid yourself of this dross. I suppose for a person who is not an artist or not attempting art, it is not dross, because it is the common exchange of everyday life.
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My father was a factory worker, and we were really poor. But everything I earned peddling papers and working in stores, he made me put aside for education.
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One of the banners I would put up in front of any American president and new administration is 'Do not overreact to your predecessors' policies.'
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I'd want to collaborate with Eminem, of all people. Maybe even Lauryn Hill.
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I only buy a computer when it's two years old, after the glitches have been worked out.
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It took me just three months to pick up Hindi. I guess I'm a fast learner when it comes to languages.
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John Sayles is good. He's like a good thoroughbred owner - he leaves the trainers alone.
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When I make a film, I am hoping to reinvent the genre a little bit. I just do it my way. I make my own little Quentin versions of them... I consider myself a student of cinema. It's almost like I am going for my professorship in cinema, and the day I die is the day I graduate. It is a lifelong study.
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I do think one should have clean feet.
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Doctrines provide an architecture for both Republican and Democrat presidents to carry out policies.
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I just don't think men fancy me.
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To be honest, if it wasn't for my daughter, I don't think I would have gotten out of the situation that I was in before 'Idol' because I am a domestic violence survivor.
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It is vital that Iraq and the United States together send the clearest possible signal that those who commit acts of violence against American military forces and American civilians will not be rewarded with amnesty.
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In previous generations, there was purpose; you had to die, but there was God, and literature and culture would go on. Now, there is no God, and our species is imminently doomed, so there is no purpose. We get up, raise families, have bank accounts, fix our teeth and everything else. But really, there is utterly no purpose except to be alive.
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Whenever you do an animated project or a voice-over project it's inevitable that part of your personality comes into play.
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Facts are meaningless. You could use facts to prove anything that's even remotely true.
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All the colleges I played, most of the colleges, they were white.
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To grasp the full significance of life is the actor's duty; to interpret it his problem; and to express it his dedication.
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When I'm working in the studio, I like to be on my own because I don't know where I'm going; I want to be completely free to spend lots of time on songs.
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Life only has narrative when we frame it and edit it and call it certain things.
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I know certainly, when one job draws to a close, that I feel I'm simply never going to work again. No one will ever want me for anything ever again. I think that's a vulnerable moment in every actor's life, and it happens every time you finish a film.
