Anjelica Huston Quotes
I know certainly, when one job draws to a close, that I feel I'm simply never going to work again. No one will ever want me for anything ever again. I think that's a vulnerable moment in every actor's life, and it happens every time you finish a film.
Quotes to Explore
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You know, it's a hugely difficult thing to take any work of art or drawing and say 'make that real.'
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The essence of the beautiful is unity in variety.
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If DreamWorks and Disney need that name to sell the cartoon and get people in the seats, that's what they need. It's not fair, but there's plenty of other work for us to do.
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Every time you work, you have to do it all over again, to rid yourself of this dross. I suppose for a person who is not an artist or not attempting art, it is not dross, because it is the common exchange of everyday life.
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My father was a factory worker, and we were really poor. But everything I earned peddling papers and working in stores, he made me put aside for education.
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One of the banners I would put up in front of any American president and new administration is 'Do not overreact to your predecessors' policies.'
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I'd want to collaborate with Eminem, of all people. Maybe even Lauryn Hill.
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I only buy a computer when it's two years old, after the glitches have been worked out.
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It took me just three months to pick up Hindi. I guess I'm a fast learner when it comes to languages.
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John Sayles is good. He's like a good thoroughbred owner - he leaves the trainers alone.
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When I make a film, I am hoping to reinvent the genre a little bit. I just do it my way. I make my own little Quentin versions of them... I consider myself a student of cinema. It's almost like I am going for my professorship in cinema, and the day I die is the day I graduate. It is a lifelong study.
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I do think one should have clean feet.
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Doctrines provide an architecture for both Republican and Democrat presidents to carry out policies.
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I just don't think men fancy me.
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It is vital that Iraq and the United States together send the clearest possible signal that those who commit acts of violence against American military forces and American civilians will not be rewarded with amnesty.
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In previous generations, there was purpose; you had to die, but there was God, and literature and culture would go on. Now, there is no God, and our species is imminently doomed, so there is no purpose. We get up, raise families, have bank accounts, fix our teeth and everything else. But really, there is utterly no purpose except to be alive.
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Whenever you do an animated project or a voice-over project it's inevitable that part of your personality comes into play.
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I took a writing class in college, liked it, and my first year out of school I couldn't get a job, so I wrote a play.
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When you're a writer and something difficult happens to you, one of the things involved in that is this emergence of narrative potential. And there's then a kind of self-consciousness about telling a story in which you suffered.
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It is the object which aroused the artist, stimulated his ideas and set of his emotions. These ideas and emotions will be imprisoned in his work for good.
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What would you do in order to marry Sophia Loren? I think anyone would become French to marry Sophia Loren. Love was more important than nationality. The cultural heritage of that country and my parents is so interlaced that it really doesn't matter that a piece of paper tells them they're French.
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I found out that if you are going to win games, you had better be ready to adapt.
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I want fewer interruptions in my day. I have eliminated a lot of things from my life. I'm on a declining scale of wanting things.
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I know certainly, when one job draws to a close, that I feel I'm simply never going to work again. No one will ever want me for anything ever again. I think that's a vulnerable moment in every actor's life, and it happens every time you finish a film.
