Ann Hood Quotes
When I was seven years old, I fell in love with a series published by Bobbs-Merrill called 'The Childhood of Famous Americans.' In it, historical figures like Clara Barton, Nancy Hanks, Elias Howe, Patrick Henry, and dozens more came to life for me as children.
Quotes to Explore
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After the success of my first album and the success of 'Flow Joe' kind of faded, I was struggling to make some money and make ends meet.
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My celeb crush is Julia Louis-Dreyfus. She's hysterical, she's beautiful, and she seems like a normal person. I'm in love with her.
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There is no chance and anarchy in the universe. All is system and gradation. Every god is there sitting in his sphere.
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In fighting, you're not going 200 mph, but there's obviously danger in the sport. If you're a fighter or a NASCAR driver, you're obviously an adrenaline junkie. Both also take a lot of skill.
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Be fond of the man who jests at his scars, if you like; but never believe he is being on the level with you.
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I spent a lot of time between bars like this.
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Ultimately, I hypothesize that technology will one day be able to recreate a realistic representation of us as a result of the plethora of content we're creating converging with other advances in machine learning, robotics and large-scale data mining.
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Everything is tennis for me, it's my career and it's entertainment, but it's also a business.
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I will say I am the sum of my books.
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I believe in equality for everyone, except reporters and photographers.
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Sometimes you have to be okay with what you are to the world, where you are in the world, and make the most of it.
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I think the hardest thing I went through in the UFC was my first loss. It was terrible. It was traumatizing. But it's just going back and rebuilding and getting better.
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I get notes posted on my windscreen wipers and through my letterbox.
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I worry about everything in the world, and it's just too much for anybody to think about, so I have my art as my consolation.
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Banks are an almost irresistible attraction for that element of our society which seeks unearned money.
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We do not have to accept the world as we find it. And we have a responsibility to leave our world a better place and never walk by on the other side of injustice.
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I find the presence of the sea quite inspiring, and sometimes I do just get out and walk around and take in the sea breeze to try and clear my mind.
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It's hard enough condensing 500 pages into a movie, and it would have been impossible to condense 800.
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In London, the home of the quick deal is that outer ring of the seven circles of hell, Tottenham Court Road, where, as a rule, finding something with an advertised price is as likely as spotting a mermaid under Vauxhall Bridge.
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When I get home after being away for work, my wife always stuffs the fridge with loads of what she calls 'nibbles' - all the great things you can eat straight from the fridge, like chunks of cheese, slices of ham, bowls of hummus.
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We, the artists, make the stuff they sell and they're like ticks on our backs, sucking the life out of us.
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I have no other balm to sweeten the bitterness of a harsh and melancholy life than the satisfaction given by the conviction of having always done what I believed to be my duty. God grant that I can say the same at the hour of my death.
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For thousands of years, much of humankind has believed that only special places are infused with the sacred and that you must get away from the everyday in order to find it. Not so, everything is infused with the holy - from chairs to clothing to kitchen stoves.
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When I was seven years old, I fell in love with a series published by Bobbs-Merrill called 'The Childhood of Famous Americans.' In it, historical figures like Clara Barton, Nancy Hanks, Elias Howe, Patrick Henry, and dozens more came to life for me as children.
