Ann Wilson Quotes
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Fleetwood Mac are more like a folk-rock band.
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What's important to me is love, especially that. What's important to me is growing and evolving. But ultimately, what's important to me is being real and being authentic. I've spent enough time in my life holding poses, playing roles.
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Rock evolved out of rebellion, so when you turn on the Billboard Awards or something like the Grammys, and there's no rock on there, that's a good sign - because that means that rock is not welcome inside of a pop format.
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It's a really bad idea to be in a band and get involved with each other.
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I like The White Stripes and I like the kinda twang American thing right now.
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Music became less understandable in the wake of the new MTV era. You weren't supposed to be anything other than a pop star, to not go deeper than that. It was really strange. It was suffocating, image-wise. What you could talk about in a song changed; if you were misunderstood, you were really misunderstood - taken literally.
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I care a lot about Heart; I was there at the inception of Heart.
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I think the theme of the album probably was just that it was our first record.
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The original Heart logo was made back in the real early '70s by Mike Fisher, who I used to be in a relationship with. He was first our manager and then our soundman. When I met him, he was in design school for architecture, so he was always drawing.
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Just being out in the world, you see so many things, and every day, you experience so many concepts and different people and their coolness and weirdness. It's a feast of ideas.
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Bands are always told, 'Nobody wants to hear your new stuff - just stick with the meat and potatoes - that's what people come for.' That's only half-true. I know if I went to see U2, I would be thrilled if they did 'I Still Haven't Found What I'm Looking For,' but I'm equally as thrilled to hear their new stuff.
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I don't know if there is redemption for people like Charlie Rose or Garrison Keillor. An apology helps, but what really matter are deeds.
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It's one thing to look at someone like Beyonce and Rihanna and to see how beloved and talented they are, and it's another thing to live inside it.
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I really feel that a concert is a place where you can bring up topics, and you can actually discuss them and feel them and have a great time.
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It was darn nigh impossible for women in rock in the '70s. There wasn't a mold if you were a woman and you were in the entertainment in the '70s. You were probably a disco diva or a folk singer, or simply ornamental. Radio would play only one woman per hour.
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Heart's always been sort of like a cockroach. You can set off a bomb, and it'll still be alive underneath.
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I got married, which opened me up to a whole new way of feeling about life, which in turn reflected on the way I do my art, you know.
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People can't just listen to the music and have their own imagination and take them where they wanna go.
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No way, because there's love relationships, there's sex relationships and then there's the band.
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I'm a little bit more unusual so I consider myself as the black sheep.
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When 'Quadrophenia' came out, I turned on to that because of the whole story with it, and there were just some really amazing songs on there. 'Love Reign' being the quintessential song on that record, I think. That was always one of the cornerstones of my temple, that song.
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I've got two sisters and they're both married and they're both much more settled into the way things are.