Anne Carson Quotes
Novels institutionalize the ruse of eros. It becomes a narrative texture of sustained incongruence, emotional and cognitive. It permits the reader to stand in triangular relation to the characters in the story and reach into the text after the objects of their desire, sharing their longing but also detached from it, seeing their view of reality but also its mistakenness. It is almost like being in love.
Quotes to Explore
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Fear is... a kind of unintentional storytelling that we are all born knowing how to do.
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Historically, the Balkans have been an incubator of war.
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Necessity makes even the timid brave.
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My views naturally have mellowed. Most of the critics have been more or less nice to me.
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When people treat you mean, you dislike them for that, but not because of their person, who they are. I was born and raised in a segregated society, but when I left there, I had nobody I disliked other than the people that'd mistreated me, and that only lasted for as long as they were mistreating me.
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I'm constantly trying to keep people guessing as to what I'm doing, and I will spend enormous amounts of time looking at manuscripts and asking questions, and people will say, 'I know what his next book is about.'
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I'd been touring for so long, seven years. For a year and a half I'd just been curious about what it was like not to tour. It's like if you were to lift a 100-pound barbell with your right arm for seven years, eventually you'd get really curious about what your left arm was capable of.
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There is always space for improvement, no matter how long you've been in the business.
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The same way you can see me sit at a table in a movie and be six different people, the mother and the uncle and all these different things, when I'm in the studio, I can do that, too. I'm not trying to be a recording artist and have a certain type of music for the radio.
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Personally I had the opportunity to go on several ride alongs with the LA County Sheriff's Department with some amazing detectives, who were invaluable to me.
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Social Security is too vital to be lumped into backroom budget talks where the views of ordinary Americans risk going unheard.
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I think that was the case here. We just wanted it to be good for everybody.
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I think that haredi children should study the core subjects and that their parents must work, and I believe that there are many haredim who think like me and would be glad to discover that someone is fighting the radical functionaries and rabbis who embitter their lives.
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I give two hoots about being typecast. It's not in my hands.
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I get really tired of hearing of all these old rockers whine and complain about how hard life on the road can be. Just stop if you don't like it. I don't think of it as work. I love it all.
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The hard-core Left loves ridiculing Christians who believe scripture that says, 'God created the heaven and the earth.' They say that it's anti-science to believe that an almighty God would do such a thing.
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I like jazz, rock n' roll, some hip hop - I can't think of any music I don't like.
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We cannot control what emotions or circumstances we will experience next, but we can choose how we will respond to them.
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But obviously, we're looking for all good ideas to help deal with our long-term debt problem. This is something that is going to affect our economy. It affects our kids. And we need to deal with it.
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The blame game is a derogatory term for accountability and we've had failures on the part of government and our leaders at the local level, at the state level and at the presidential level.
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I love L.A. I'm such an L.A. person.
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People who didn't live pre-Internet can't grasp how devoid of ideas life in my hometown was. The only bookstores sold Bibles the size of coffee tables and dashboard Virgin Marys that glowed in the dark.
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Like any young person who gets into a political campaign, I joined out of a highfalutin' desire to change the world. But you start to see the sort of tactics people use. You start to see politics not only in the macro but in the micro of the campaign itself. Some people get turned off by this side of it. Other people are drawn to it.
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Novels institutionalize the ruse of eros. It becomes a narrative texture of sustained incongruence, emotional and cognitive. It permits the reader to stand in triangular relation to the characters in the story and reach into the text after the objects of their desire, sharing their longing but also detached from it, seeing their view of reality but also its mistakenness. It is almost like being in love.
