Anne Hathaway Quotes
You can alter movie singing so much because you go into the recording studio and, just technology for recording has gotten so good, you can hold out a note and they can combine a note from take 2 and a note from take 8.
Quotes to Explore
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If you learn the craft, you can make a movie and get by with tricks.
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People will turn their noses up at a sequel or that type of thing, but Pixar really works hard - if they're making a sequel - to make a sequel an original movie, to make it an original story.
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I was very insecure approaching the idea of directing a feature film. I told myself I would not move until I felt I was moving in power rather than moving in desperation to make a movie.
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After you do this for a while, you get used to things not working the way you want them to. There's a job you want, and you don't get it. There's a movie you'd like to get made, and it doesn't get made. You become inured to it.
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Oh I'm a huge comic book movie fan.
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'Jaws' was the ultimate man vs. nature movie, and it was a movie that was basically three people against the elements, so that was the biggest influence on 'Frozen.'
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My only way of getting my uncles' attention or aunts' attention or whoever's attention was by dancing and singing around the house.
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The only way to see a movie is in a big theater, on a big screen, with a big bag of popcorn.
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There's no doubt that 'Lion' is an audience pleaser. I mean, I went to a lot of research screenings all over, in London and America and Australia, and the results were ridiculous, and the crowds were... they just loved the movie, so for me, my job is done.
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I love singing. I love singing at home.
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Everybody gets typecast in movies, but you have to make wise choices. I'd say around 90 percent of movie casting is about the way you look, so you have to fight that. If producers had their way, I'd only be in action films, but I'm interested in a more varied career than that.
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Before I won 'American Idol,' I'd never been in a professional studio at all. I'm getting more used to it. I'm really weird, though: I sing way better in a crowd of 3,000. It's easier than singing in front of 2.
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Show me a Scorsese film, and I'll show you a movie where he's taken risks. It's just his nature. He's an artist, and artists take risks. He always does what he believes in.
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The language of prose is very different than the language of cinema, so the movie has to successfully translate what was in the book.
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I'm here now because of my faith. That's what got me singing and what has kept me singing. That is what I have: what has kept me doing right and has provided me with the chances and the attitude and the skills to do this.
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'How to Survive a Plague' is history-telling at its best. It's a film I'll show my two children, now toddlers, when they are old enough to understand. It's a movie that I cannot forget.
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Great music is its own movie, already. And the challenge, as a music fan, is to keep the song as powerful as it wants to be, to not tamper with it and to somehow give it a home.
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You can fool a person into going to see a movie with a good trailer.
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The big French movie distributors are the Trojan horse of the American cinema.
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I'm proud of 'Miracle at St. Anna' and I loved it; there's no question in my mind it's as good as any movie that came out in 2007.
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Having a guy on a microphone yelling lines at you is counter to a lot of acting techniques.
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People with children will know this: when the childcare is over, it's over on the dot. You immediately have to go into child mode; there's no down time.
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You can alter movie singing so much because you go into the recording studio and, just technology for recording has gotten so good, you can hold out a note and they can combine a note from take 2 and a note from take 8.
