Annie Dillard Quotes
Whenever a work's structure is intentionally one of its own themes, another of its themes is art.
Quotes to Explore
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A stale article, if you dip it in a good, warm, sunny smile, will go off better than a fresh one that you've scowled upon.
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I am telling you, if you ever wanted an ego boost, leave your job and then, six months later, come back for a day. People will treat you like you're a princess.
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Sometimes I'd like to play the bad guy and sometimes I'd like to die in a movie.
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The phrase 'mad as a hatter' was coined because hat makers were poisoned by the high levels of mercury used in felt processing; these workers developed a strange, uneven gait as well as strange alterations in their personalities - traits that resembled mental instability.
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The two most important things in my life were academics and sports. I had to do my schoolwork first.
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There is no chance and anarchy in the universe. All is system and gradation. Every god is there sitting in his sphere.
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Clearly I am a very strong, top-of-the-line, always-rising-to-it personage.
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Love is the flower of life, and blossoms unexpectedly and without law, and must be plucked where it is found, and enjoyed for the brief hour of its duration.
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I have always been a coward as a child. I am not very brave. I am very aware of the fact that I am not very gutsy.
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In metros, girls are very independent, conscious and aware. But in the interiors of our country, where education is not given importance, they continue to be oppressed. But it is important for every woman to acknowledge what she wants from herself rather than going for what people expect from her.
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The ability to calibrate risk doesn't happen rationally.
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I don't talk about political matters. That's not my department.
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I love sportswear in my own weird way. Fashion is such a personal journey for me. I'm much more of a girl that's a T-shirt, legging, layering kind of thing, and outerwear.
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I never said I wanted to be a lead actress; I never said I wanted to be a film actress. This need to trump everyone bewilders me. I'm only 25. I'm not better than anyone. I just want to watch other people and learn to be good.
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The hour of the liberal interventionists like Hillary Clinton in Libya, like the neocons' hour of power in the GOP, is over.
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I remember devouring the entire Hardy Boys series over one summer, enthralled by their bravery and cleverness.
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Public appearances are a headache. I hold mine down to a minimum.
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Any partying I did, I did at home. I didn't want to be in the spotlight... There's an easy way to get away from the paparazzi; they're not that difficult to hide from and you don't need to go out for coffee every five minutes.
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Do what you feel in your heart to be right - for you'll be criticized anyway. You'll be 'damned if you do, and damned if you don't.'
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I don't want to know movie directors. I don't want to be close to them. I don't want to interfere with their work. I don't want them to interfere with mine.
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I'm not a frustrated concert composer, and the concert pieces I've done have been a small part of my work. What I've sought there is instruction, variation from the demands of film and relief from its restrictions.
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Every day without fail one should consider himself as dead. There is a saying of the elders that goes, 'Step from under the eaves and you're a dead man. Leave the gate and the enemy is waiting.' This is not a matter of being careful. It is to consider oneself as dead beforehand.
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Finding a 'sacrificial lamb' on whom to tag blame for complicated problems is an important instrument in the toolkit of politicians, because it deflects blame for the nation's economic woes away from their own regulatory lapses, economic mismanagement and coddling to labor unions.
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Whenever a work's structure is intentionally one of its own themes, another of its themes is art.
