Luke Evans Quotes
Quotes to Explore
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The essential relationship across American history between black people and white people is one of exploitation and one of plunder. This is not, you know, necessarily about, you know, whether you're a good person or not or whether you see black people, you know, on the street, and you're willing to shake their hands and be polite.
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Anyone can wear any color. The question is about finding the right shade. There is a momentary trend to dark colors because when the financials are not that great, people go for black, navy and grey.
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I hate jeans for no reason.
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I just see religious freedom, as a category, as just being a black hole.
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One of my personal plights in this business is about playing 'The Sassy Black Girl.'
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When I'm around black or white people, I'm always in the middle. Especially when I am around black people; they will really tell how they feel about white people regardless of the fact that I'm also white and have white relatives. It's very interesting and can be really hard.
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African-Americans are not a monolithic group. So, we tend to talk about the black community, the black culture, the African-American television viewing audience, but there are just as many facets of us as there are other cultures.
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The economic dynamic in Zimbabwe is perversely robust: while ordinary people suffer, black-market dealers and people with foreign bank accounts prosper, making them powerful stakeholders in the perpetuation of devastating economic policies.
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In Men in Black, it was a very small character, no pun intended.
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Black Sabbath invented heavy metal, in my opinion.
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I take it seriously that it's a privilege and honor to be a role model to young girls, both black and white. It's not something I take lightly.
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I love to drive in the Black Hills of Wyoming and South Dakota with Mount Rushmore as the central stop.
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I like Jay-Z, 50 Cent and Common. But I like the underground stuff like Young Jeezy, Black Rob and Shine. I also love heavy metal like Slipknot and Pantera, It's very intense stuff.
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The misperception about the South is that everybody is racist, and all black people are victims, that what was prevalent in the '60s is only relegated to the South.
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So now I feel I'm lucky in the respect that I can sort of pick a little more carefully, which is tricky because as a black actress, there aren't that many roles to pick from.
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'Black Messiah' is a hell of a name for an album. It can easily be misunderstood. Many will think it's about religion. Some will jump to the conclusion that I'm calling myself a Black Messiah. For me, the title is about all of us. It's about the world. It's about an idea we can all aspire to. We should all aspire to be a Black Messiah.
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I've been trying to understand conflict and violence ever since I was a kid. You know. There were a few things that happened even on my block - the Black Panthers used to be right around the corner from where we were.
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Sometimes black people really want to hold onto our oppression - 'This is ours! This belongs to us.' You can't just talk about equality for somebody else. Let's pass it on. Let's pass it on to somebody else. At the end of the day, it is all about inequality.
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With 'Black Sea,' I long had an idea that I wanted to do a film about people stuck on the bottom of the ocean. I thought that was a terrifying scenario.
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It would probably be better if I got involved in fewer things just because I'd have more time to write for my own purposes... But if somebody calls you up with a really cool project, it's hard to just say 'no' because you don't feel like working.
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In times of rapid change, experience could be your worst enemy.
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I don't think they like the idea that the people who are buying the record get to choose what goes out, because it's their job. The fans even pre-ordered stock to make sure that I had some sort of presence.
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I was lucky to get one good adaptation. Field of Dreams the Musical is lurking in the wings. Hope it will provide my daughters with a ton of money someday.
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I just love the sound of a black woman's voice.
