Anohni Quotes
You see artists hailed as a new generation of independents, only to be enlisted to leverage product.
Anohni
Quotes to Explore
-
When I was little it was a great time for film-making, with stuff like Mike Nichols' 'Silkwood.' The films you see in that pre-secondary-school stage stay with you in a very particular way.
Saffron Burrows
-
We've seen that there are a lot of people out there - teenagers in Topeka, housewives in Long Island, millionaire Internet start-up moguls - that all want to connect with each other about what it is to be human.
Rainn Wilson
-
Different directors have different things, so when I left Mike Leigh, as it were, and I went into other projects after 'All or Nothing,' it took some getting used to - what do you mean there's a script?!?' That kind of thing.
Sally Hawkins
-
If you're not kind, then you won't be attractive to me personally because that spirit shines through and makes people attractive.
Madeline Zima
-
A record deal doesn't make you an artist; you make yourself an artist.
Lady Gaga
-
Imagine trying to be a gay actor, a gay anything in modern Russia? Where to be positively oneself, to be affectionate in public with someone you love of the same gender, or to talk of that love in the hearing of anyone under 18, will put you prison?
Ian Mckellen
-
Because Mr. Mandela's early opponents invested so many resources into distorting the true nature of his advocacy, the singular historic moment millions now celebrate could have been tragically lost to guerrilla decontextualization.
Aberjhani
-
When I got my band in 1983, I knew what I had to do. If I'm going to have a big band, they're going to have to sound equally as good as what I'm used to hearing.
Illinois Jacquet
-
Kerouac was the cowboy that inspired the whole Beat Generation, and highlighted and put the spotlight on all of these minds that didn't really know what they were doing at the time, but accomplished something much bigger than what they ever foresaw.
Garrett Hedlund
-
In Morocco, for a woman to earn her own living is the essential concern.
Fatema Mernissi
-
I did nine months in 'Mrs. Klein' in New York, then four months on the road. Then I did a movie directed by Philip Haas, who did 'Angels & Insects'. We shot 'The Blood Oranges' in Mexico for six weeks.
Laila Robins
-
If people don't like your act, it feels a little bit more like they don't like you as opposed to they didn't like that character... It's weird because on one hand, we make our living from being permeable and vulnerable, but we also have to have very thick skin.
Laura Benanti
