Lupita Nyong'o Quotes
The muscles you flex in theater are muscles that you really need. I must always find a way to get back there. It's irreplaceable.
Quotes to Explore
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The virtues of the blockchain is that it would be that it's peer-to-peer settlement - no centralized settlement, no manipulation... And most importantly, there's nothing to capture. It's consensus based. It's stateless.
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When you actually fall in love, no one sees that other person the way that you do.
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You make knowledge relevant to life and you make it important for children to learn things that will really relate to things going on in their lives, and not abstract.
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And finally I begin to have such a success in my examinations that I found myself in a career you see.
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The only way a kid is going to practice is if it's total fun for him... and it was for me.
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I'm not a writer. I'm not smart. I couldn't possibly even write my own story.
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I was born out of due time in the sense that by temperament and talent I should have been more suited for the life of a small Bach, living in anonymity and composing regularly for an established service and for God.
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Every single one of the guys that I've written songs about has been tracked down on MySpace by my fans.
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It was a struggle financing CNN, but I did it without ever asking the government for a nickel.
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Custom adapts itself to expediency.
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What I've learned is sometimes it's good not to have all the same actions and have all the same takes. The variety you provide gives the director later on in post-production the ability to construct a more interesting performance as he puts the movie together.
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My kids are in school and in all these clubs - chess club, fashion club, you name it. When my dad came home from work, it was late, and when he left, it was early in the morning. On my days off, I'm still taking my kids to school and picking them up. I do what I have to do to keep that relationship.
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All the music that I play today, I actually heard either at home or in my neighborhood when I was growing up in the '40s and '50s.
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I've enjoyed all the work I've done, and I feel quite lucky that I haven't been playing sweet girls all the time.
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I hyperventilate quite a lot.
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Some days I'll have good starts, and some days I'll have bad starts. I'm really focusing on having more good starts than bad starts, and I traditionally do. But I would hate to make it all the way to the Olympics and have a bad starting day.
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I grew up in the classic American-Jewish suburbia, which has a whole different sense of what it means to be Jewish than anywhere else in the world.
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When I was fifteen, I dreamed of living in the big city, as many a young person does if he is artistic and sensitive. By 'artistic and sensitive' I mean short, skinny, unkissed, bad at sports, and carrying a C average in high school.
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Once working people discover that, collectively, we have more power than we do as individual silos, then we become an incredibly powerful force. But I think that there are powers that be that are invested in us remaining divided along racial lines, along economic lines.
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I told the doctor I was overtired, anxiety-ridden, compulsively active, constantly depressed, with recurring fits of paranoia. Turns out I'm normal.
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I want to be on the pitch, and I want to be cool.
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I went from having 50 listeners to 50 million listeners.
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The muscles you flex in theater are muscles that you really need. I must always find a way to get back there. It's irreplaceable.
