Lydia Lunch Quotes
Quotes to Explore
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I think of other artists as generous when I get inspired by their work. That's why I like curating. You don't want to take someone else's art and have your way with it. You've got to be respectful of them.
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The fundamental importance of the subject of molecular diffraction came first to be recognized through the theoretical work of the late Lord Rayleigh on the blue light of the sky, which he showed to be the result of the scattering of sunlight by the gases of the atmosphere.
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Work with some men is as besetting a sin as idleness.
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It doesn't work that way, you know, because most parts that you think you'd do well, most other people don't. So they offer you something - The Avengers is a good example... I fitted into that because I came from that sort of background. It's not even acting.
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I wrote 'Criminal' in 45 minutes when everyone else went to lunch because I had to have a hit. I can force myself to do the work, but only if someone is right up behind me.
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A lot of times, women complain about men around them. It's not always someone else's fault. If you're the common denominator in 57 different relationships that didn't work out, then maybe, just maybe... it's you!
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I approach love differently now that I know it's hard for it to work out.
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I was raised to want to work for a living. The idea of just sitting around or going shopping every day appalls me.
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What works for me is knowing the character in an emotional sense. I wish I was more logical but it doesn't work for me like that. I need quite a lot of time; it's why I always worry when I'm doing more than one thing at a time. I hope that some sort of magic will kick in.
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Messengers of Peace such as Midori - and our Goodwill Ambassadors, who work directly with the UN agencies - are dedicated and well-informed and credible advocates on behalf of the United Nations. They help us educate audiences worldwide and rally support on key issues of the United Nations.
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Glory is attained from hard work, step by step.
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But 18 years after the passage of the Civil Liberties Act, there still remains unfinished work to completely rectify and close this regrettable chapter in our Nation's history.
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However careful a tramp may be to avoid places where there is abundant work, he cannot always succeed.
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I'd really like to work with Gwen Stefani and Cee Lo.
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Character is the indelible mark that determines the only true value of all people and all their work.
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I come from a simple background, so I couldn't call my father and say, 'Come pay my bills,' so I had to get out there and work.
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Whenever you have taken up work in hand, you must see it to the finish. That is the ultimate secret of success. Never, never, never give up!
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Our work for human dignity is often lonely, and almost always an uphill climb. At times, our efforts are misunderstood, and we are mistaken for the enemy. There has been a clear erosion of respect for U.N. blue and our impartiality.
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I want to be happy going to work. I want to do a show I'm proud of.
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Abroad, they have covered pretty much all subjects, explored every possibility, every twist. So similarities between ideas you have and those filmed abroad are quite possible.
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I grew up in Haughton, Louisiana. I go to my white grandparents' house, and then I cross the railroad tracks and hang out with my black grandma. We have English teachers on my white side. My grandpa is a principal. And then you go to the other side, and people have been in jail.
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I just did this movie with Kristin Wiig called 'The Skeleton Twins.' That's a straight drama. We play estranged twins, and I end up moving in with her and her husband, played by Luke Wilson. But it's a drama, and the Duplass Brothers produced it and this great guy, Craig Johnson, directed it. And that was great, you know?
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Even as a kid, I ventured out to ethnic restaurants all the time.
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I watch the news. It fuels my rage; it informs my work.
