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The female format is a beautiful one in which to function. Foolhardy as it may be. I change my image all the time, it's whatever suits me at the moment.
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I've always been inspired by Genet, Henry Miller and Hubert Selby, Jr., who taught me that you've got to tell a bigger truth in whatever you're doing, but the truth is not popular.
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I think my speeches are hilarious. I think I'm a natural comedian, but I like denying people the chance to laugh. I want to deny you the relief of the punchline.
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You want positive, go elsewhere. Go find a different lie.
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Politics are always involved, even in my love songs.
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I'm a very sympathetic person, but that doesn't always come across in my work because I'm too busy being mad at everything.
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To be in a band, at least according to the rules of rock in the 1970s, one must know how to play an instrument. But rather than waste time solving that problem, No Wavers ignored it. The point was simply to make music, not to learn how first.
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I'm like a one-woman protest machine.
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I just prefer instrumental. I don't need to hear what other people are singing. And if I need music as a backdrop to work or to think, I need to have that part of the brain clear - I don't need people feeding their fantasies into my vision.
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I watch the news. It fuels my rage; it informs my work.
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Aggressive female icons have been chronically demeaned... It's fine for male artists to be angry - they're encouraged to outwardly express their aggression - but women? I've been painted as an aggressive Feminazi because I'm blunt, stubborn, independent, forthright.
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I am a humanist not a feminist. There's a big difference.
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I'm nihilistic, antagonistic, violent, horrible - but not obliterated, yet. I just refuse to be beaten down. I think it's stubborness that keeps me going.
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I'm completely optimistic - I know the end is coming!