Lydia Millet Quotes
I came to understand that a German nudist, in 1984, loved little more than to work on his or her tan.
Quotes to Explore
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I enter my studio at 9 a.m. I have lunch here, I return right away to my work and I go out to dinner at 8 p.m. My daily tasks vary very much.
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I always try to keep a little bit of space in the year to work with other people. Because I love doing musicals, films and plays - projects where I'm not in charge, where I've got somebody else telling me what to do and I have to work with their vision.
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Consumerism is so weird. It's a sort of conspiracy we collude in. You'd think shoppers spending their hard-earned cash would be highly critical. You know that the manufacturers are trying to have you on.
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The Cinquecento was an engine of motivation at Fiat. It refurbished the image of the entire company. It's a symbol for the company, but it's more than that. It's a global Italian symbol, as Mini is a global British symbol and the Beetle is a global German symbol.
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I was a little, uh, incorrigible as a kid, so the kitchen was a good place to give me structure and balance. It taught me hard work, but then I grew to love it.
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I feel like Adele is a diva. Not in the bad way. She is one of the greatest voices of this industry and of her own art. What she offers is so unique that she's risen to such a status that very few artists can enjoy.
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It's obviously nerve-wracking, because I don't know the ropes really, William is obviously used to it, but I'm willing to learn quickly and work hard.
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The world of fiction is a sovereign world that comes to life in the author's head and follows the rules of art, of literature. And that is the major difference that is reflected in the form of the work, in its language and its plot. An author invents every aspect of a fiction, every detail.
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To be a good artist, you have to serve the work of art and allow it to be what it is supposed to be.
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We all present versions of ourselves. The person you are at work is not the same person you are at home. The face we present in our most intimate relationships is not the face we present to the world.
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The American Dream is that any man or woman, despite of his or her background, can change their circumstances and rise as high as they are willing to work.
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Letters actually work. Even the top dog himself takes time every day to read 10 letters that are picked out by staff. I can tell you that every official that I've ever worked with will tell you about the letters they get and what they mean.
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Here's the miracle: I grew up thinking, 'Wouldn't it be great to write 'Superman' someday? Wouldn't it be great to create my own show, or work on 'Lensman,' or 'Forbidden Planet?' Those were very literally the goals I set for myself, the dreams that I thought I didn't have a chance in hell of ever actually achieving. But it's happened.
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I never went to drama school, but I did learn a couple of things along the way.
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The state of New Jersey is really two places - terrible cities and wonderful suburbs. I live in the suburbs, the final battleground of the American dream, where people get married and have kids and try to scratch out a happy life for themselves. It's very romantic in that way, but a bit naive. I like to play with that in my work.
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I think with anything where you delve into the back story of an artist, it kind of explains their work more intimately.
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When I first started, I worked with my father, Alex 'Little Bill' Wallace; he was a guitarist like B.B. King. I was around 13 when I started, and I learned a lot by looking and listening. I learned how to be a bandleader from watching that band work.
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I was at a slight disadvantage in that I had never played in bands or done any performances before, and that's just as important as writing, recording, and putting records out. It's been a lot of hard work, balanced with a lot of pinch-myself moments of touring in crazy parts of the world.
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I've always known I could write. I have an ear for production and melody. It was just that, in those early years, I let everyone do it for me. To be honest, I was a little lazy!
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It is a law, that every event depends on some law.
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Seeing The English Patient is wonderfully draining, but imagine acting in it for six months.
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Although it has been said by men of more wit than wisdom, and perhaps more malice than either, that women are naturally incapable of acting prudently, or that they are necessarily determined to folly, I must by no means grant it.
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Sometimes you can fix something that went wrong with what you do next and make it better than it would have been if it hadn't gone wrong, as an improviser, and I do know how to do that.
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I came to understand that a German nudist, in 1984, loved little more than to work on his or her tan.
