Lyle Lovett Quotes
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Somehow you can tell the difference when a song is written just to get on the radio and when what someone does is their whole life. That comes through in Bob Dylan, Paul Simon, Willie Nelson. There is no separating their life from their music.
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I've never made a dime from a record sale in the history of my record deal. I've been very happy with my sales, and certainly my audience has been very supportive. I make a living going out and playing shows.
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Records are very powerful promotional tools to go out and be able to play on the road, but you do have to think about it as a way of sustaining itself at some point.
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I've always worked with people who have been supporters of me creatively.
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If someone gives you a belt buckle, it's like a piece of jewelry. It has the same sort of emotional significance. It would be something you would intend to keep forever.
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A woman comes to a table, and you're supposed to get up. Period. But I don't always do it. In general, you're supposed to do it every time. But sometimes you're seated against the wall, and it's awkward.
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One of my favorite things is when people will ask for a song that I hadn't planned to play. It is really fun to see if you can remember something, and you don't always. I mean, sometimes it's just crash and burn.
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Both my parents worked, so I was home alone a lot, and I would listen to their records. They belonged to the Columbia House record club, so they had records!
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I'm not really a competitive person, and I'm not naturally comfortable in front of people.
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I've gotten to work with some wonderful directors and people who have been great teachers to me.
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Every crowd is different. But that's something that I enjoy, and you can feel it in the first few seconds when you walk out on stage. You know, how a crowd is.
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Never guess a woman's age. Never guess a woman's weight. Never even talk about weight in front of a woman. And never, ever ask a woman when she's due.
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My parents worked for Exxon, and they gave me every chance to take part in music. I took guitar lessons, and I was in the choir at school.
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I sort of cringe when I hear myself say the word 'work.' Getting to do something you love to do never really feels like work.
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When I first was trying to play the clubs around Houston to start playing my own songs, songwriters like Eric Taylor and Vince Bell and Townes Van Zandt and Don Sanders were just really encouraging to me and would let me sit in with them during their sets and introduce me to the person that owned and booked the club.
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As a songwriter, you try your best to write a good song, and you like nothing better than hearing a good song. It's easy to admire a great song, and you want to share out of enthusiasm.
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It's difficult to get started-when it comes to dealing with an unknown quantity, people are reluctant to trust their own opinion. It helps if two or three people give you a boost.
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My first performance was in second grade with my friend Rodney Fisher, and we worked up versions of 'Long Tall Texan' and 'I Want to Hold Your Hand.' It gave me a little early confidence that I could actually do this music thing.
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Tipping your hat to a lady is good form. If you're at a dinner table, you'd most certainly take your hat off - cowboy hat, baseball hat, or otherwise.
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Growing up, the last thing I ever thought I'd do is be an entertainer.
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Songwriters aren't always performers, and even performing songwriters aren't always the kind of show-biz performers you think they'd be.
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I am limited by what I can think of to do-my choices are not so great.
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The idea that we humans are good-natured, politically correct, nonjudgmental beings is pure fantasy. We are, at the very least, judgmental.
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Wear what you want to wear. Do what you want to do. Be who you are. Pick out your own clothes. Be a man. And if that's too much to ask, as it almost always is for me, think of someone you consider to be a man and pretend to be like him. I pretend to be like my dad.