Anthony Kiedis Quotes
Quotes to Explore
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I was in a Nativity play as a kid. Back then, I played the donkey.
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I'm not coming back to play.
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I was taught to play that way when I was in high school and even before I got to high school.
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I'm an actor; I want to play roles, not a role.
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Sometimes it's less about the character and more about the story for me. I'll play a rock in the background if I think the story is fantastic and I can be a part of it somehow. That's what I look for.
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These trees and these old people have one thing in common, they're both going in the ground soon!
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I still have my old Nintendo 64 that works. And I hook it up, and I still play the original 'Goldeneye.' I'm that geek. I have an 'NBA Jam' arcade machine in my office at 'SNL.'
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I'm from New Orleans. There's a lot of vampire mystique and mythology that resonates there, and I was fascinated by it. I always wanted to play one.
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We know that the elements in play in a show like 'Confederate' are much more raw, much more real, and people come into them much more sensitive and more invested, than they do with a story about a place called 'Westeros,' which none of them had ever heard of before they read the books or watched the show.
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How do I act so well? What I do is I pretend to be the person I'm portraying in the film or play.
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To get ready to climb Everest, I did a lot of hill running with a daypack on and a lot of underwater swimming. I would swim a couple of lengths underwater and then a couple above. It gets your body going with limited oxygen.
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Street and park trees provide tremendous benefits to cities.
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Spitfire asked me if I had a problem talking about Van Halen or Extreme. I really don't. There are people who are just going to want to know what it was like to play with Eddie.
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For centuries, building materials were free. You want to build a house, you cut down some trees. But we haven't been thinking about the cost to the planet.
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When kids look at broccoli, they call it 'little trees,' because they see it not just for the word 'broccoli.' They see it for what it looks like, the image. We, as adults, forget to think like that. We forget to think figuratively and have to be reminded.
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What you compose with is neither here nor there, you compose with words, or you compose with stone plants and trees, or you compose with events; the Sheriff's officer, or whatever.
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It's true what people say - that actors are the closest thing there is to children. They play.
Nastassja Kinski -
I wanted to play incredibly challenging, multifaceted characters. Because we are all a puzzle.
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When Maurice touched a keyboard, it was like something from a movie, magical. He would always give you something from a movie, and you'd go, what did you just play... immediately inspirational writings, amazing. That's what we're going to miss.
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I really like to play these complicated characters, and I really like to transform.
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When I was a kid and got in trouble, I'd always say, Mom, I'm in trouble. Well, Mom, I'm in trouble.
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There are so many magazines and so many editors out there that you have to be different.
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Tony Judt's remarkable 'The Memory Chalet' was written from the prison of mute immobility.
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You know, I like to climb trees and ride bikes and play.
