Anton Corbijn Quotes
Quotes to Explore
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I live for my work, apart from my family who come first. And I live to tell stories and pretend to be other people, it's something I've been doing since I was 3 years old. Maybe it's because I'm intrinsically bored with myself, and I find other people more interesting.
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I always do my interviews face to face.
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I grew up as a child living 'Red Dawn.' I was leaping out of spider holes, mowing down Russkies at the age of eight.
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The Afro-American is thus the backbone of the South.
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The thing I hate most in acting is asking permission to do things. What you really want to do is say, 'This is my need; this is what's going to get me further; this is what's going to be alive. I don't ever say, 'Do you mind if...?' I just come in and do it.
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Because I've a track record of talking about books I never write, in Australia they think I'm about to write a book about Jane Austen. Something I said at some festival.
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Zef is, you're poor, but you're fancy. You're poor, but you're sexy; you've got style.
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When I first came to do shows in Vegas, I followed the usual entertainer's syndrome - I played craps and lost.
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Indeed, willingness to challenge professional economists and other experts is a foundation stone of democracy. If all we have to do is to listen to the experts, what is the point of having democracy?
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'Cooking Lucky' is a show for guys - or girls - or really for anyone who is all thumbs in the kitchen and needs some help cooking meals that are so incredibly impressive they make it look like you've been slaving in the kitchen all day when in reality, they are so effortless to put together that even a moron can do it.
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My last book, 'The Language of Flowers,' I wrote completely on naptime, when my little kids were asleep.
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In terms of 'Solaris,' I didn't really think about the religious aspect an awful lot. There's one scene at a dinner party, and it's discussed, but it wasn't an overwhelming theme for me.
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You can't know too much, but you can say too much.
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I just love crafting and shaping sounds. Actually, many of the sounds that I work with start off as organic instruments - guitar, piano, clarinet, etc. But I do love the rigidity of electronic drums.
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People have a right to surf the Web without Big Brother watching their every move and announcing it to the world. The Internet marketplace has matured - and it's time for consumers' protections to keep pace.
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As is always the case when you are with the actual human being behind the celebrity or legend, there is something human about the man or woman that makes things less than myth.
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A little roller up along first; behind the bag! It gets through Buckner! Here comes Knight and the Mets win it!
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I couldn’t possibly do a love story like Maine Pyar Kiya. I can perhaps do a more mature love story. Then again, we tried a love story with Silsila but it didn’t work. One thing is for sure, we can’t be doing what Salman is doing.
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After the war we reassured ourselves that it would be enough to relate a single night in Treblinka, to tell of the cruelty, the senselessness of murder, and the outrage born of indifference: it would be enough to find the right word and the propitious moment to say it, to shake humanity out of its indifference and keep the torturer from torturing ever again.
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I've always been able to just concoct a melody quite easily - it's just kind of instinct, really. You've got to channel your subconscious.
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There's a lot about records that you cannot feel from a CD.
