Antoni Tapies Quotes
There is something evocative about the idea of destruction. This act of destruction is the expression of an idea... that what we call reality is not real at all. When I draw a head, for example, I immediately feel an urge to destroy it, to erase it, because the drawing only captures an outward appearance, and for me the vital issue is what lies behind the visual form of the head.
Quotes to Explore
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In the eyes of many people, giving doesn't count unless it's completely selfless. In reality, though, giving isn't sustainable when it's completely selfless.
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Actually, I had no idea what shooting hoops was or were. I thought dunking was something you did with a beignet and a cup of steaming coffee. I wasn't exactly sure what a Knick was.
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My fiance likes drawing on napkins, which I save. I'm always scared I'll get caught taking a linen napkin from a restaurant!
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Being listened to and being heard is an experience that doesn't happen terribly often. To listen compassionately or nonjudgmentally to another person - not to get too heavy about it - but I once heard somebody say that was a form of real prayer.
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One of the things I like best about Netflix is that they make projects like 'Beasts of No Nation.' It's a film about a reality in an African country where kids were being used to be soldiers in a war. And it made so much sense to me as a citizen of the world.
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The basic idea for what became 'Epic Mickey' began at the Disney Think Tank.
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Much of the conventional wisdom associated with Vietnam was highly inaccurate. Far from an inevitable result of the imperative to contain communism, the war was only made possible through lies and deceptions aimed at the American public, Congress, and members of Lyndon Johnson's own administration.
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Every idea has its time.
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'Pyrapshere' began as a sketch for a variety show I produced called 'A Pretty Good Show.' My partner, Andersen Gabrych, and I expanded it into a full-fledged faux-religion, including a list of 21 tenets, sacred symbols, testimonials, and even a clothing line. Many people believed it was a real thing and wanted to join.
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If you get a guy that can play a couple positions, it helps you out a real lot.
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Sometimes you're going to have someone on your team who's just not comfortable with being open. You have to ask yourself, 'Is this person going to allow us to be a real team?' Maybe they're not right for your team. You have to be willing to lose someone sometimes.
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Our present moment is a mystery that we are part of. Here and now is where all the wonder of life lies hidden. And make no mistake about it, to strive to live completely in the present is to strive for what already is the case.
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I think the CG is an instrument to create reality. I don't think it's an instrument to create a heightened reality.
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To have courage for whatever comes in life - everything lies in that.
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You would hardly believe how difficult it is to place a figure alone on a canvas, and to concentrate all the interest on this single and universal figure and still keep it living and real.
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It wasn't until I let go of the idea of the brass ring that it showed up, and fortunately for me, it coincided with getting clean.
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Once you have perfect virtual reality, what else are you supposed to perfect?
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What lies behind you and what lies in front of you, pales in comparison to what lies inside of you.
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Don't get a job in an abattoir. Don't be a butcher. The idea that people have to do these jobs for a livelihood is ridiculous. They can get other jobs. Shoplift, man. Better to be a prostitute than cut an animal's head off for a living.
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People don't blame the act of driving for auto accidents.
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My preparation is mainly just knowing the lines and getting in and knowing where your character is, knowing what it's about and having ideas that you can put in on the day.
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I'm going to die with my mind intact. And to me that is the most exciting way you could possibly die.
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There is something evocative about the idea of destruction. This act of destruction is the expression of an idea... that what we call reality is not real at all. When I draw a head, for example, I immediately feel an urge to destroy it, to erase it, because the drawing only captures an outward appearance, and for me the vital issue is what lies behind the visual form of the head.
