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No one wants to be with a girl that your mother would pick for you.
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I've actually, very rarely have I worked in my own voice. I've played, I think, Russian, American, Northern from the North of England. All sorts of different accents I've worked in.
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My mum was raised Jewish, my dad is very scientifically minded, and my school was vaguely Christian. We sang hymns in school. I liked the hymns bit, but apart from that, I can take it or leave it. So I had lots of different influences when I was younger.
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I love music, and I love singing.
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I'd rather be shot than be seen falling out of some trendy club.
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I would like to work with whoever would like to have me.
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I went to a very academically competitive high school. So I was always quite studious and quiet, just to keep up with the other geniuses who were in my school.
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I only remember the end of my dreams, like waking up at a steering wheel, or falling.
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Almost every script that I've gotten has been for sort of the generic Hollywood type. I haven't chosen them. All the ones I have chosen are because I've been fascinated with the source material or because of the script.
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I am comfortable playing the fool, I think.
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I think escapism is very important, certainly in my life. I love nothing more than escaping into the world of a film or a novel. To be involved in creating that for other people is a privilege.
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I'm not that kind of Bob Dylan, tortured creative.
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You still get these waves of doubt that come over you, for example, when you get a bad review or you accept a part and think, 'Oh, God, what have I just accepted? I can't do that.' I don't think that's something that will ever go away in me.
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When I was at school, I was in choirs more than anything else, from a very young age, about 9 years old. And then I started taking drum lessons.
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I had two family members involved in World War I: two great-uncles. One of them is on a memorial in France. And the other was a trench runner who survived the war. The average life span of a trench runner was 36 hours, but he survived the whole war.
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When I finished school, everyone wanted to go to a good university and become a lawyer or a doctor. My A-levels were sort of chosen for me.
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I often talk with other actors about that time when you've just finished a job, because I think you do take on the characteristics of some of the characters you play. Sometimes it can be a great thing and sometimes it's a bit haunting because you're not quite sure how to leave it on set. My dad talks about it as being 'de-personalised.'
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I'm not really an animal person.
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Sometimes success comes in ways you don't expect.
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I want to take advantage of any popularity I have.