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No one wants to be with a girl that your mother would pick for you.
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I've actually, very rarely have I worked in my own voice. I've played, I think, Russian, American, Northern from the North of England. All sorts of different accents I've worked in.
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My mum was raised Jewish, my dad is very scientifically minded, and my school was vaguely Christian. We sang hymns in school. I liked the hymns bit, but apart from that, I can take it or leave it. So I had lots of different influences when I was younger.
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I love music, and I love singing.
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I would like to work with whoever would like to have me.
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I only remember the end of my dreams, like waking up at a steering wheel, or falling.
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I'd rather be shot than be seen falling out of some trendy club.
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Almost every script that I've gotten has been for sort of the generic Hollywood type. I haven't chosen them. All the ones I have chosen are because I've been fascinated with the source material or because of the script.
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I am comfortable playing the fool, I think.
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I went to a very academically competitive high school. So I was always quite studious and quiet, just to keep up with the other geniuses who were in my school.
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I'm not that kind of Bob Dylan, tortured creative.
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I think escapism is very important, certainly in my life. I love nothing more than escaping into the world of a film or a novel. To be involved in creating that for other people is a privilege.
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When I finished school, everyone wanted to go to a good university and become a lawyer or a doctor. My A-levels were sort of chosen for me.
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When I was at school, I was in choirs more than anything else, from a very young age, about 9 years old. And then I started taking drum lessons.
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I don't believe in that kind of pragmatic career ladder stuff.
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I think every film actor secretly wants to be a rock star as well; just that part of the job which requires the extrovert in you. Even if you've become an actor because it's your way of hiding in plain sight, there's still part of you which has that craving.
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I'm not really an animal person.
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Sometimes success comes in ways you don't expect.
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I had two family members involved in World War I: two great-uncles. One of them is on a memorial in France. And the other was a trench runner who survived the war. The average life span of a trench runner was 36 hours, but he survived the whole war.
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My dad is a doctor, a professor of psychiatry, and my mum is a psychotherapist.
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I often talk with other actors about that time when you've just finished a job, because I think you do take on the characteristics of some of the characters you play. Sometimes it can be a great thing and sometimes it's a bit haunting because you're not quite sure how to leave it on set. My dad talks about it as being 'de-personalised.'
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I don't really see the point in making a film unless you can think of a good reason to do it.
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You still get these waves of doubt that come over you, for example, when you get a bad review or you accept a part and think, 'Oh, God, what have I just accepted? I can't do that.' I don't think that's something that will ever go away in me.
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Half my fan mail comes from Japan.