Edward Norton Quotes
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You never make all things for all people and can't always pander to the broadest denominator. I keep an eye toward doing the themes that interest me. Do they move me? Interest me? Make me think? When I run across something that is provocative in an unsettling way, it appeals to me.
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I like things that aren't superficially one thing or another.
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I do find myself drawn more to pieces that I feel are wrestling with the way that we're living now, what we're all going through.
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Everyone keeps saying the western's dead, but it's not.
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If I ever have to stop taking the subway, I'm gonna have a heart attack.
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I think we really feel like Crowdrise could be something that, 20 years from now, people take for granted because that's just how you do it, like if you're going to raise money for something, that's how you do it.
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The period western doesn't have a lot to say to most people today.
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The people who work in the scientific field, they need help to convey what it's about.
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The film industry needs to confront the physical footprint of the way films get made.
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I'm a New Yorker, you know.
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I remember as a kid having the offer of a scholarship, that it was going to be like going to Mars, and deciding to stay in my public school.
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I have this embedded faith in the process through which films of a certain type get discovered on longer timelines.
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Well, I don't feel that I've played so many bad guys, and I'm rot really drawn to villains per se. I think a lot of people relate to some of my characters' inner struggles.
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I like making movies for myself and my friends and people with my sensibility.
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I don't get much out of doing a red carpet.
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Identical twins are endemically alike in many ways.
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You can't control everything that comes to you.
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You always end up getting involved in things because of, you know, the strange things your life brings you into contact with.
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I'm not particularly precious about the theatrical experience any more.
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I grew up on the golden age of children's TV.
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I like it when the deeper you go with the character, the more you see the layers start to peel away.
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You know, independent films have been institutionalized, practically. Every studio has got a boutique arthouse label.
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I get heartbroken flying into L.A. It's just this feeling of unspecific loss. Can you imagine what the San Fernando Valley was when it was all wheat fields? Can you imagine what John Steinbeck saw?
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People are worried about the degree to which corporate interest is starting to threaten human interest.