Elaine Stritch Quotes
Quotes to Explore
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I was publishing when I was 20, 21. And it really never stopped.
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I love playing live, I don't like studios all that much. I need the reaction of the audience.
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From the pop side, people like Usher, and when they first came out, I listened to guys like K-Ci and JoJo; that '90s R&B thing really caught my ear.
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I fought the best; I've never been afraid of anyone.
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Movies are usually difficult, often insane, constantly challenging and always strangely amusing to make.
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If Boston charters can be stymied despite their extraordinary success, charters anywhere can be stopped.
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Corporations take the humanity out of trade - they take the happiness out and replace it with something that is ugly.
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The director had come to Madrid to court me.
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If you do well as an actor, a good director will pick up on it, and keep it in the film.
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Human faces shouldn't get lost amid the statistics.
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Small debts are like small shot; they are rattling on every side, and can scarcely be escaped without a wound: great debts are like cannon; of loud noise, but little danger.
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I'm incredibly humbled that the leader of the modern liberty movement and strong conservative leader Congressman Ron Paul is backing our campaign.
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I love sailing but hate cruise ships.
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Interdependence is and ought to be as much the ideal of man as self-sufficiency. Man is a social being.
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I'm definitely inspired by old hip-hop.
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There really has not been a strong Republican message to either the poor or the African American community at large.
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The older you get, the better you have to look, the higher you have to kick, the harder you have to work.
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The reason I dislike talking about the creative process is that I do have a creative process that is a winner and it's a sure thing.
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Mum had regular mental tests with her specialist, but because of her academic background, she became brilliant at manipulating them.
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I'm blessed with the fact that I'm a fighter. I've always known life was meant to be joyful.
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You know how you put peanut butter on a piece of bread and the bread falls - it never falls on the bread side down, it always falls peanut butter side down. That's because of gravity.
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When the highwayman holds his gun to your head, you turn your valuables over to him. You 'consent' alright, but you do so because you cannot help yourself, because you are compelled by his gun. Are you not compelled to work for an employer? Your need compels you, just as the highwayman's gun.
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Violence is part of the resistance to occupation. The basic fact is not the violence; the basic fact is the occupation. Violence is a symptom; the occupation is the disease - a mortal disease for everybody concerned, the occupied and the occupiers.
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My movie career - if such a thing even exists - is laughable.
