Elaine Stritch Quotes
Quotes to Explore
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I was publishing when I was 20, 21. And it really never stopped.
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I love playing live, I don't like studios all that much. I need the reaction of the audience.
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From the pop side, people like Usher, and when they first came out, I listened to guys like K-Ci and JoJo; that '90s R&B thing really caught my ear.
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I fought the best; I've never been afraid of anyone.
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Movies are usually difficult, often insane, constantly challenging and always strangely amusing to make.
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If Boston charters can be stymied despite their extraordinary success, charters anywhere can be stopped.
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Corporations take the humanity out of trade - they take the happiness out and replace it with something that is ugly.
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The director had come to Madrid to court me.
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If you do well as an actor, a good director will pick up on it, and keep it in the film.
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Human faces shouldn't get lost amid the statistics.
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Small debts are like small shot; they are rattling on every side, and can scarcely be escaped without a wound: great debts are like cannon; of loud noise, but little danger.
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I'm incredibly humbled that the leader of the modern liberty movement and strong conservative leader Congressman Ron Paul is backing our campaign.
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I love sailing but hate cruise ships.
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Interdependence is and ought to be as much the ideal of man as self-sufficiency. Man is a social being.
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I'm definitely inspired by old hip-hop.
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There really has not been a strong Republican message to either the poor or the African American community at large.
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The older you get, the better you have to look, the higher you have to kick, the harder you have to work.
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The reason I dislike talking about the creative process is that I do have a creative process that is a winner and it's a sure thing.
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My whole thing is I just always wanted to be a working actor and I just wanted to stop waiting tables.
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Providing quantitative guidance about the meaning of 'long-term price stability' could have several advantages, including further reducing public uncertainty about monetary policy and anchoring long-term inflation expectations even more effectively.
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I wrote and directed a movie called 'Two - Bit Waltz'. We just wrapped. It was a blast, blast, blast.
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The Coen brothers said something that helped me, "When you put the book down, you have a certain feeling, a certain understanding. That's what they need to feel when they walk out of the theater. That's your job, to literally put this book on film, you won't make a good movie, you'll do no service to anyone.
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I've never been difficult to anybody or with anybody on a picture. Especially when you're in that nice status of hierarchy of actors and actresses who get to approve directors. Because once you make that choice, it's my belief that the director's boss.
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My movie career - if such a thing even exists - is laughable.
