Elaine Stritch Quotes
Quotes to Explore
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I was publishing when I was 20, 21. And it really never stopped.
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I love playing live, I don't like studios all that much. I need the reaction of the audience.
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From the pop side, people like Usher, and when they first came out, I listened to guys like K-Ci and JoJo; that '90s R&B thing really caught my ear.
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I fought the best; I've never been afraid of anyone.
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Movies are usually difficult, often insane, constantly challenging and always strangely amusing to make.
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If Boston charters can be stymied despite their extraordinary success, charters anywhere can be stopped.
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Corporations take the humanity out of trade - they take the happiness out and replace it with something that is ugly.
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The director had come to Madrid to court me.
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If you do well as an actor, a good director will pick up on it, and keep it in the film.
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Human faces shouldn't get lost amid the statistics.
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Small debts are like small shot; they are rattling on every side, and can scarcely be escaped without a wound: great debts are like cannon; of loud noise, but little danger.
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I'm incredibly humbled that the leader of the modern liberty movement and strong conservative leader Congressman Ron Paul is backing our campaign.
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I love sailing but hate cruise ships.
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Interdependence is and ought to be as much the ideal of man as self-sufficiency. Man is a social being.
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I'm definitely inspired by old hip-hop.
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There really has not been a strong Republican message to either the poor or the African American community at large.
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The older you get, the better you have to look, the higher you have to kick, the harder you have to work.
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The reason I dislike talking about the creative process is that I do have a creative process that is a winner and it's a sure thing.
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It is great seeing the fruits of your labor. The joy I have in watching my daughters with their kids is great, because they're doing a wonderful job, and the kids are fantastic.
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To make a career as an Irish actor, generally it's the case that you move to London. When you make that move, you do tend to stand out.
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Growing up as a high jumper, I said if I could ever jump 2.40, I'd be pretty satisfied with my career. It's definitely a barrier for high jumpers.
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In a movie you have all these logistical problems; all these practical problems. But you're also going to have people come who can do things that you can't do, and you get to direct their talents.
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I try to deign golf courses that are individual in character and individual in their own standing.
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My movie career - if such a thing even exists - is laughable.