Elayne Boosler Quotes
Many animal rescue organizations hit with a hard-core, heartbreaking message. Their videos and stories can become difficult for average people to watch. By taking a more positive, heartwarming approach to animal rescue, I've been able to engage people and keep them engaged for years. Instead of selling the agony and misery - and sadly, there is no shortage of that - I start with the happy endings. I work backwards so the first message they get is joy and success due to their involvement. Opening the mind with humor and joy gets the rescue message in that much deeper.
Quotes to Explore
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In my memoir, I admit that I've been as fearful of success as of failure. In fact, when 'Passages' was published, I so dreaded bad reviews that I ran away to Italy with a girlfriend and our children to hide out.
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People have got to get together and work together. I'm tired of the kind of oppression that white people have inflicted on us and are still trying to inflict.
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When I was young, I admired clever people. Now that I am old, I admire kind people.
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I consider 'Dr. Horrible' a tremendous success. The fact that it won an Emmy I just think lends validity to what we were doing and the point we were trying to make: taking the power into someone else's hands and changing the world.
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My favorite thing about being an actor is that I get to be so many different people in one lifetime. You sort of get to be all of these different characters.
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Things change and work changes. Right now I like the idea of enveloping a space and getting messages across that connect to the world in ways that seem familiar but are different.
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People don't blame the act of driving for auto accidents.
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I lost myself in the bubble of music - driving myself to be a success.
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When I watch a romantic comedy, I feel like they're selling something that doesn't exist. Two beautiful, but extremely unpleasant, people are terrible to each other for an hour, accidentally kiss, then decide to like each other during an extremely vague montage. That isn't how people fall in love.
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Cinema is a thankless industry where sometimes to appear on the cinematic scenery is a thing for late bloomers and people who are very patient. The places are accounted, and the space is often unwelcoming. Money is rare, and independent voices are muted by the almost complete absence of risk takers.
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There's not a day that I don't work on vocals, have vocal coaches, go to acting classes, read books.
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'Perfect' is about a set-up that looks perfect from the outside - beautiful country house, beautiful wife and mother, everything where it should be - and the deep fissures that, in fact, lie beneath that. 'Perfect' was partly a response to the shock of my first book, 'The Unlikely Pilgrimage Of Harold Fry,' being a success.
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There are two types of courage involved with what I did. When it comes to picking up a rifle, millions of people are capable of doing that, as we see in Iraq or Vietnam. But when it comes to risking their careers, or risking being invited to lunch by the establishment, it turns out that's remarkably rare.
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One of the things about my ministry is that I have never branded myself as being above the people or superior to people.
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My mother is a proud Brazilian. I love visiting my family in Rio; the city and its people are so vibrant and amazing.
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It's not the people in the South who create racial problems - it's the people who are governing.
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I work hard and support myself.
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When I was in high school I got involved in the fringe theater scene in Chicago, and I met some openly gay people. I could see that it got better, that they were happy and loved and supported. I saw with my own eyes that it got better.
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It is now an article of absolute faith among Republicans that 'the government' is an entity separate from 'the American people,' which they say the same way that the old Jesuits talked about 'the mystical Body of Christ.' It is now an ironclad commandment of conservative orthodoxy that 'the government' is something parasitic and alien.
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I was talking to one of my aunties at Christmas and she said she didn't think it was ever in my nature to go against the grain, that I was always a good boy. I think she was right - I did always want to be good.
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Yeah, I was a postcard, I was a recordI was a camera until I went blind
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An actor is an instrument. One needs to control them.
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Every story has a moral you just need to be clever enough to find it - the Dutchess
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Many animal rescue organizations hit with a hard-core, heartbreaking message. Their videos and stories can become difficult for average people to watch. By taking a more positive, heartwarming approach to animal rescue, I've been able to engage people and keep them engaged for years. Instead of selling the agony and misery - and sadly, there is no shortage of that - I start with the happy endings. I work backwards so the first message they get is joy and success due to their involvement. Opening the mind with humor and joy gets the rescue message in that much deeper.
