Marcus du Sautoy Quotes
The stage is like a laboratory where you can run theatrical experiments, imposing interesting conditions on the cast or story and seeing how they pan out. Each new play is like creating a tiny virtual universe enclosed by the confines of the stage.
Quotes to Explore
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Beethoven's importance in music has been principally defined by the revolutionary nature of his compositions. He freed music from hitherto prevailing conventions of harmony and structure.
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M.G.M. never really gave me a break. They loaned me out for leading roles but cast me in programme pictures.
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I kind of found a niche for myself after 'Firefly'. I found something that I enjoyed doing and that I did well, but as far as how I seek out a part, it's always different. It's always something that lights you on fire when you read it. It might be just one scene, it might be one line that defines the character for you.
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There's nothing wrong with a thick eyebrow; Frida Kahlo had them.
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I'm not afraid to die - it's just that I had so much left to do in this world.
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Science progresses best when observations force us to alter our preconceptions.
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For years, Judaism has been a sort of product put on the religious shelf, and on holidays, we would take it off the shelf and let seculars play with it for a bit. Now, Judaism is going back to being something that more closely touches everyone.
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From Syria even to Rome I fight with wild beasts, by land and sea, by night and by day, being bound amidst ten leopards, even a company of soldiers, who only grow worse when they are kindly treated.
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War has been good to me from a financial standpoint but I don't want to make money that way. I don't want blood money.
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Midi is my hobby.
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I don't see money or a particular status as an actor as a goal, but I want to do the best work I can in as interesting a range of roles as I can.
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I don't really like to talk about other people. I think people who have things going on in their lives, I think they have enough to deal with, they don't need, you know, Abigail Breslin weighing in on their lives.
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For me, it's hard to keep up with trends. I just go for the roles and movies that I feel I could add value to, or contribute to, that I feel I could portray.
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In Denmark, we're making 20 films a year. If I'm showing up in even two of those, people will get tired of me really fast.
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In a world of global dependencies with no corresponding global polity and few tools of global justice, the rich of the world are free to pursue their own interests while paying no attention to the rest.
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I love this country, I love these people, though I can't say I love their politicians. People are always nicer than politicians, but here, you can mark that difference up a hundredfold.
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Happiness is having a scratch for every itch.
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You do a show to be a hit and hopefully run a couple of years.
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Researchers have been looking for biomarkers of age for a long time and have failed. People sell tests out there to measure your biological age, and none of them work. There's no evidence that you can measure biological age with any reliability.
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With Scratch, we want to let kids to be the creators. We want them to create interesting, dynamic things on the computer.
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Hierarchical formulations died because their wedding cake levels posited a multiply fractured cosmos that does not match the Space Age revelation of a unified universe in which the earth is clearly in, rather than separated from, the heavens. Hierarchical representations do not reflect what either the world or we are like.
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I think the hardest thing about making music now is being a great dad at the same time. There's an insanity that goes with writing - a mad scientist thing that you have to go through - and sacrificing a kid's upbringing to do that is not an option.
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If I were to take an undergraduate chemistry exam, I would probably fail.
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The stage is like a laboratory where you can run theatrical experiments, imposing interesting conditions on the cast or story and seeing how they pan out. Each new play is like creating a tiny virtual universe enclosed by the confines of the stage.
