Arthur Eddington Quotes
Our system of philosophy is itself on trial; it must stand or fall according as it is broad enough to find room for this experience as an element of life.
Quotes to Explore
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I always loved cars. I don't know why, I can't explain it to you. It has always been with me.
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I'm not into things that feel like a sequel. There's just something magical about when something happens for the first time.
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At some point, you grow out of being attracted to that flame that burns you over and over and over again.
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My house looks like it was decorated by a 14-year old with a platinum American Express card.
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Jenna's traveled with me; they've both traveled with their dad. This is the only time they've been old enough in all of their dad's campaigns to really be involved in.
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I've been very fortunate with my three spec scripts - which is sort of my thematic trilogy of the American Frontier. With 'Sicario', 'Hell or High Water' and then 'Wind River' - which is the third - there were no rewrites. It was the first draft for all three.
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Now, everybody knows my music. So that's really cool. A lot of kids know it. Now, when I go to a sports game, everybody knows my name.
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D.C. is where I started. That's home for me. I always love coming back to the area. They treat me so well, and people show up. They're excited and claim me as their own. I love it.
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As a writer, I absorb stories, allow them to churn within my own head and heart - often for years - until I find a way of telling them that fits both my time and temperament.
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I don't like to direct myself.
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I think it's difficult to do fashion for men, because either you become very over-homosexual fashion or very boring fashion. You don't want a boy who looks 15 in a little pair of shorts with some strange art... But to see just a jacket and tie is boring.
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My creativity all comes from the same place. I wear one very comfortable, large hat.
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Maybe our generation is more about sex, but it feels like romance is dying out.
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The hits I had in the '80s - I made those deals directly with American companies.
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An artist's sphere of influence is the world.
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It's very difficult for my body to recover after workouts now that I'm older, so we have to keep them short, which means they're extremely difficult and intense. It sucks.
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The fact that I'm very close with my past relationships is something I pride myself on. My mom is still close to her first husband. It's nice to be able to enjoy someone in a different form.
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I'd like to be curvier.
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We have two lives the one we learn with and the life we live after that.
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Our stock in trade is raw, flailing sex.
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You can't not be changed by the experience of seeing extreme poverty. You start to want to think about ways in which you can make the world better.
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People's creativity is very much alive, but when they get paid for their creativity, they often experience that as rather meaningless. Money as the reward for their creative process is very one-dimensional, a tremendous comedown.
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The job has its grandeurs, yes. There is the exultation of arriving safely after a storm, the joy of gliding down out of the darkness of night or tempest toward a sun-drenched Alicante or Santiago; there is the swelling sense of returning to repossess one's place in life, in the miraculous garden of earth, where are trees and women and, down by the harbor, friendly little bars. When he has throttled his engine and is banking into the airport, leaving the somber cloud masses behind, what pilot does not break into song?
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Our system of philosophy is itself on trial; it must stand or fall according as it is broad enough to find room for this experience as an element of life.
