Arthur Erickson Quotes
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In those countries with centuries of a craft tradition behind their building methods, techniques are tightly coordinated under the direction of the architect.
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Bankers cannot afford to be concerned with only the economic aspects of projects. There may be serious implications on the natural environment, the urban environment, on human culture.
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No phenomenon can be isolated, but has repercussions through every aspect of our lives. We are learning that we are a fundamental part of nature's ecosystems.
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We regard those other cultures, such as that of India, where many people live and believe and behave much as they did 1,000 or 2,000 years ago, as undeveloped.
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Only when inspired to go beyond consciousness by some extraordinary insight does beauty manifest unexpectedly.
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Architecture doesn't come from theory. You don't think your way through a building.
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Profit and bottom line, the contemporary mantra, eliminates the very source of architectural expression.
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Tahiti has been spoiled for many years, but Bali is one of the few cultures with origins in one of the great ancient cultures which is still alive.
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The tourist transports his own values and demands to his destinations and implants them like an infectious disease, decimating whatever values existed before.
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There is an increasing awareness of the interrelatedness of things. We are becoming less prone to accept an immediate solution without questioning its larger implications.
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God's designs may be frequent justification for our actions, but it is we, the self-made men, who take the credit.
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Our engineering departments build freeways which destroy a city or a landscape, in the process.
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The new architecture of transparency and lightness comes from Japan and Europe.
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Illusion is needed to disguise the emptiness within.
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Nowhere has specialization penetrated so deeply into the building professions as North America.
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The heart, not the head, must be the guide.
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Modernism released us from the constraints of everything that had gone before with a euphoric sense of freedom.
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The obsession with performance left no room for the development of the intuitive or spiritual impact of space and form other than the aesthetic of the machine itself.
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The great dream merchant Disney was a success because make-believe was what everyone seemed to need in a spiritually empty land.
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With production alone as the goal, industry in North America was dominated by the assembly line, standardization for mass consumption.
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Rationalism is the enemy of art, though necessary as a basis for architecture.
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We can appreciate but not really understand the medieval town. We cannot comprehend its compactness, the contiguity of all its buildings as a single uninterrupted whole.
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There is little doubt that we are in the midst of a revolution of a much more profound and fundamental nature than the social and political revolutions of the last half century.
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Space has always been the spiritual dimension of architecture. It is not the physical statement of the structure so much as what it contains that moves us.