Elizabeth Diller Quotes
Aside from keeping the rain out and producing some usable space, architecture is nothing but a special-effects machine that delights and disturbs the senses.
Quotes to Explore
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I always try to keep a little bit of space in the year to work with other people. Because I love doing musicals, films and plays - projects where I'm not in charge, where I've got somebody else telling me what to do and I have to work with their vision.
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Your mind is a magnet. You don't attract what you need or what you want; you attract who you are. And I love who I am!
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It's hard for us to really understand the immensity so far of the conquest of space.
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When life catches up with us, we all need space to dream and indulge, so I have created my own special range of bath & beauty loveliness to help you find your happy place.
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Things change and work changes. Right now I like the idea of enveloping a space and getting messages across that connect to the world in ways that seem familiar but are different.
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On Earth, men and women are taking the same risks. Why shouldn't we be taking the same risks in space?
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One cool thing is because Mom and Dad aren't into the Hollywood scene, they don't read 'US Weekly' or anything like that. They give me space. They don't care. They just want all of their children to be doing something that they love to do and be able to pay their insurance.
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The terrifying and edible beauty of Art Nouveau architecture.
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Julia Child wasn't afraid to have fun. She made fantastic food but knew how to have a good time and not be too stuck up about the kitchen space.
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I could be happy doing something like architecture. It would involve another couple of years of graduate school, but that's what I studied in college. That's what I always wanted to do.
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If architecture is frozen music then music must be liquid architecture.
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As a child, my father's architecture seemed to me to be industrial in a way. It seemed harsh and kind of chilly; I didn't respond to it.
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I'm always looking for complicated characters in fiction about whom I can feel a dozen feelings at once - in the space of a single paragraph, even.
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Any rehearsal process - I find, anyway - does have quite an effect on me, and I very much live in that world for the whole period of time that I'm involved with the production. But normally, afterwards with a little bit of space, I can come right back out of it again.
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Quite simply, if you're feeling anxious, angry, a sense of shame, whatever it is, breathe in and agree to touch or feel it. Breathing out, offer space and care to whatever's there. If there's blocking to touching it, emphasize the in-breath and stay embodied.
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I like to space out my work.
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Make big plans; aim high in hope and work, remembering that a noble, logical diagram once recorded will not die, but long after we are gone be a living thing, asserting itself with ever-growing insistence.
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I love the 1,500 meters. I knew that, if I had to do it to win, I'd run under 4:05. That means I could pick up 100 points, maybe even 150 points, on anybody in the world.
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I just don't understand how Kerry or Obama or anybody else thought Assad was going to change.
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The value of friends has always been a natural thing. I prefer too many to too few.
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Sometimes I'll go into a shop and speak in a different accent to see if I can pull it off. But then somebody will be like, 'Where did you say you were from again...?' And then I panic, and my accent dissolves, and I pretend like I wasn't doing it in the first place.
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When people see opportunity, when they have a sense of control of their own destiny, then they're less vulnerable to the propaganda and twisted ideologies that have been attracting young people - particularly being turbocharged through social media.
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Aside from keeping the rain out and producing some usable space, architecture is nothing but a special-effects machine that delights and disturbs the senses.
