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In my thesis, I made an intellectual exercise out of creating a pair of buildings that were a repeat but slightly different - dissonant things make me uncomfortable.
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We were kind of arrogant when we started and became really humbled as we were doing architecture. It's really hard to work with budgets and deadlines and all of these collaborators and all of these voices and special interests.
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As a kid, I imagined being an artist.
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I can't imagine having a spouse who is not an architect. It's hard to put myself in the shoes of other couples where each partner brings totally different things from their day to the table.
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I never thought I was going to be an architect in the conventional sense.
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In art school, it was about feeling. In architecture school, it was about ideas.
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In a progressively privatised city, the defence of public space, the production of new public space, and saving what is public really for the public is very important.
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I think idiosyncrasy is great.
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I believe in planning logics where you have neighbourhoods, and you don't just do one building at a time.
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Whenever I ask Siri for directions or a recommendation, I also ask her a trick question. Her answers are usually wacky. She scolds me for cursing, which I love, but she has no problem with ethics. If I say, 'Remind me to rob a bank at 3 P.M.,' she responds, 'Here's your reminder for today at 3 P.M.: Rob a bank. Shall I create it?'
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I cannot read on a Kindle. I love the physical experience of holding a book, cracking it open, and the process of making the right half weigh less than the left half. I only read hardcover books because I like the resistance and the presence on a bookshelf.
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We're always taught that we're building for permanence, but why? I like the idea of a prosthetic architecture! When a section is removed, the building readjusts its weight distribution, like a living body.