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Go to bed; tired is stupid.
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Why should he remember her? Why should she remember him? She had other things to think about. She was a grown woman. She had to face life. Even if all life had to show her was a locked door, and behind the locked door, no room.
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I think hard times are coming. We will need writers who can remember freedom. Poets, visionaries, the realists of a larger reality.
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They had learned how to listen for the sense of the meeting, not the voice of the loudest. They had learned that they must judge each time whether obedience was necessary and right, or misplaced and wrong. They had learned that the act of violence is the act of weakness, and that the spirit’s strength lies in holding fast to the truth.
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... the habit of literature [is] the best defense against believing the half-truths of ideologues and the lies of demagogues.
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'In innocence there is no strength against evil,' said Sparrowhawk, a little wryly. 'But there is strength in it for good.'
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...If at moments the facts seem to alter with an altered voice, why then you can choose the fact you like best; yet none of them are false, and it is all one story.
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Shelley was kicked out of Oxford-I think the story is unauthenticated, but who cares-because he painted a sign on the end wall of a dead-end alley: THIS WAY TO HEAVEN. I feel that every now and then his sign needs repainting.
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'There’s nothing to fear, Lebannen,' he said gently, mockingly. 'They were only the dead.'
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Nothing said in words ever came out quite even. Things in words got twisted and ran together, instead of staying straight and fitting together.
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Great self-destruction follows upon unfounded fear.
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Who knows a man's name, holds that man's life in his keeping. Thus to Ged, who had lost faith in himself, Vetch had given him that gift that only a friend can give, the proof of unshaken, unshakeable trust.
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We scarcely know how much of our pleasure and interest in life comes to us through our eyes until we have to do without them; and part of that pleasure is that the eyes can choose where to look. But the ears can't choose where to listen.
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There’s people all over these parts, and maybe beyond, who think, as you said, that nobody can be wise alone. So these people try to hold to each other.
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'The first lesson on Roke, and the last is, Do what is needful! And no more.''The lessons in between, then, must consist in learning what is needful.''They do.'
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They say Mars absolves the warrior from the crimes of war, but those who were not the warriors, those for whom the war was said to be fought, even though they never wanted it to be fought, who absolves them?
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As she stumbled forward she cried out in her mind, which was as dark, as shaken as the subterranean vault, 'Forgive me. O my Masters, O unnamed ones, most ancient ones, forgive me, forgive me!'There was no answer. There had never been an answer.
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We of Es Toch tell a little myth, which says that in the beginning the Creator told a great lie. For there was nothing at all, but the Creator spoke, saying, It exists. And behold, in order that the lie of God might be God’s truth, the universe at once began to exist.
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A forest ecology is a delicate one. If the forest perishes, its fauna may go with it. The Athshean word for world is also the word for forest.
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'It is not right to want to die,' the Summoner said....'For the very old, the very ill, it may be. But life is given us. Surely it’s wrong not to hold and treasure that great gift!''Death also is given us,' said the king.
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The future has become uninhabitable. Such hopelessness can arise, I think, only from an inability to face the present, to live in the present, to live as a responsible being among other beings in this sacred world here and now, which is all we have, and all we need, to found our hope upon.
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Whenever they tell me children want this sort of book and children need this sort of writing, I am going to smile politely and shut my earlids. I am a writer, not a caterer. There are plenty of caterers. But what children most want and need is what we and they don't know they want and don't think they need, and only writers can offer it to them.
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'Why must there be war?' 'Oh Lavinia, what a woman's question that is! Because men are men.'
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'We're not outside the world, yoz. You know? We are the world. We're its language. So we live and it lives. You see?'