Auguste Renoir Quotes
On the whole, the modern palette is the same as the one used by the artists of Pompeii... I mean it has not been enriched. The ancients used earths, ochres, and ivory-black - you can do anything with that palette.
Quotes to Explore
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We must never forget that Black History is American History. The achievements of African Americans have contributed to our nation's greatness.
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Every time a young girl comes in and asks me for advice, if you start your conversation with, 'How hard is it as a black woman,' or, 'How hard is it as a woman,' I turn you around. Because I cannot - we cannot look at the roadblocks and see the road at the same time.
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Anyone can wear any color. The question is about finding the right shade. There is a momentary trend to dark colors because when the financials are not that great, people go for black, navy and grey.
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When in life do you get a black and white printout that says this is what you should do? It just doesn't happen.
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I love music, and can dance on the desi beats. Punjabi music is my favourite. I listen to artists like Honey Singh. I love his music. I also love watching Bollywood films.
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Ricky Martin is one of the artists I wanted to be growing up.
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Because of where I come from, I never thought I'd see in my life a black candidate running for President.
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One of my personal plights in this business is about playing 'The Sassy Black Girl.'
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The economic dynamic in Zimbabwe is perversely robust: while ordinary people suffer, black-market dealers and people with foreign bank accounts prosper, making them powerful stakeholders in the perpetuation of devastating economic policies.
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I don't have an objective overview of Black Sunday.
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Black people were very angry with me for writing the book. A lot of people didn't believe me, or didn't want to believe me, and that used to really bother me. It was a very painful and difficult time.
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When the women's movement began, it was a middle-class phenomenon. Certainly, black women had other stuff to think about in the '60s besides a women's movement. Working-class women were slow to get into it.
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The casualties in the Civil War amount to more than all other wars - all other American wars combined. More people died in that war than World War II, World War I, Vietnam, etc. And that was a war for white supremacy. It was a war to erect a state in which the basis of it was the enslavement of black people.
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I'm comfortably asocial - a hermit in the middle of a large city, a pessimist if I'm not careful, a feminist, a black, a former Baptist, an oil-and-water combination of ambition, laziness, insecurity, certainty and drive.
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There's something really unique about 'Orphan Black' is that it has a lot of female leads, so it's about a lot of women's stories, but it's not women's stories in terms of trying to find a guy or keep a guy; it's about entirely other things.
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'Black Messiah' is a hell of a name for an album. It can easily be misunderstood. Many will think it's about religion. Some will jump to the conclusion that I'm calling myself a Black Messiah. For me, the title is about all of us. It's about the world. It's about an idea we can all aspire to. We should all aspire to be a Black Messiah.
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There was a time I was no longer going to be black. I was going to be an 'intellectual.' When I was first looking around for colleges, thinking of colleges I couldn't afford to go to, I was thinking of being a philosopher. I began to understand then that much of my feelings about race were negative.
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The less I talk about being black, the better.
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Ralph Ellison's essays were models for me when I began my life as a critic. Slipping cultural yokes and violating aesthetic boundaries, he made criticism high-stakes work, especially for a black critic.
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Both this song ['Black Skinhead'], 'I Am a God' and this song were made after Hedi Slimane didn't let me into his first Saint Laurent show.
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My motto is: Live every day to the fullest - in moderation.
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You may be desperate, but never let anyone see you as anything less than a cultivated woman.
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There is no true joy and compassion except through the difficult emotions - all we get without the experience of fear, anger, and sadness are cheap imitations of joy and compassion - pleasantness and sentimentality.
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On the whole, the modern palette is the same as the one used by the artists of Pompeii... I mean it has not been enriched. The ancients used earths, ochres, and ivory-black - you can do anything with that palette.
