Margarita Simonyan Quotes
Not a single story on 'BBC World News' is any different from the British foreign policy.
Quotes to Explore
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The collusion of big business, big labor, and big government threaten the spirit of small business that makes America great.
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Incommensurables cannot be compared.
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To the best of my judgment, I have labored for, and not against, the Union. As I have not felt, so I have not expressed any harsh sentiment towards our Southern brethren. I have constantly declared, as I really believed, the only difference between them and us is the difference of circumstances.
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Being a model, you're always the product of somebody else's vision.
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When I was a little kid, I used to watch with my brother when there was Macho Man and Hulk Hogan. But then I fell out of it for a few years.
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You're either with me or you're not. And if you're not, you're out.
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Bands develop their own weird ways of doing things.
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Perhaps it would be better not to be a writer, but if you must, then write.
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In a repressed society, artists fulfil a sense of harking back to instant gratification, or immediate expression, by doing things that function on the edge of society, or outside of what is conventionally accepted.
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You cannot tailor-make the situations in life but you can tailor-make the attitudes to fit those situations.
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I want to reach the heights of stardom beyond my imagination.
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You just can't bifurcate bitcoin currency from the technology. Bitcoin will always need a monetary base.
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A theory can be proved by experiment; but no path leads from experiment to the birth of a theory.
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Enjoy every sandwich.
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New online formats gutted the newspaper-ad business. Why pore over tiny print looking for a job in the want ads when you can tap a few keywords into monster.com, then click through and apply? Why pay a steep per-character rate for a classified when you can hawk a whole garage full of used stuff on EBay or Craigslist for free?
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It is better that one's customers come to one's shop than to have to look for them abroad.
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My great inspiration has always been Studs Terkel, who is a wonderful American oral historian. He was a radio DJ at first, interviewed a lot of jazz musicians, and at some point started to interview Americans about work.
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When I had worked on my first book, I had readily shown bits and pieces to everyone - for encouragement, to force myself to write.
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We are born into a vast room whose walls consist of a thousand doors of possibility. Each door is flung open to the world outside, and the room is filled with light and noise. We close some of the doors deliberately, sometimes with fear, sometimes with calm certainty. Others seem to close by themselves, some so quietly that we do not even notice.
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For me, the passing of time has provided me with subjects I never had before. Subjects I can now look at from a historical perspective. Like the anti-communist era in America. I lived through that. I was a boy; I didn't find a way to write about it until many years later. The same with the Vietnam War.
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I'm 90% performer, 10% musician. I've always said that Gossip are a band I would go see, not a band I would listen to.
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But nevertheless, it's music ultimately that matters in opera, and opera is a piece of music reaching out as a vision in sound reaching out to the world.
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Not a single story on 'BBC World News' is any different from the British foreign policy.
