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I'm not a scientist or a mathematician.
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The black experience isn't exclusively slavery/civil rights/Obama.
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During World War II, hundreds of thousands of people actually - and among them many African-American - migrated to the Hampton Roads area because of the job boom that was happening. It was a place where you could get stable war jobs.
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Five of my father's seven siblings made their bones as engineers or technologists, and some of his best buddies - David Woods, Elijah Kent, Weldon Staton - carved out successful engineering careers at Langley.
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It has been very rare to see a black woman as a protagonist. And also as three-dimensional people - mathematicians, mothers, wives, complicated people, not perfect.
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I started to think of 'Hidden Figures' as the first part of a mid-century African-American trilogy.
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History happens as soon as I pick up my coffee cup - it happened 30 seconds ago. It's history.
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Our next-door neighbour taught physics at Hampton University. Our church abounded with mathematicians. Supersonics experts held leadership positions in my mother's sorority, and electrical engineers sat on the board of my parents' college alumni associations.
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We want the big stories, of course, of the great men, but there's as much drama and interest and lessons to be learned in actions that people like us take on a daily basis.
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I was surprised how little I knew about the significant contributions to aviation that had happened right there in Hampton, Virginia.
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I remember 'The Norfolk Journal and Guide,' which is a black newspaper that still exists, but it was really influential, as you can imagine, in the Forties, Fifties, and Sixties. But all of their archives are online and digitized, and it was a really great resource.
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The Russians had got a real head-start into space; America was playing catch-up.
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There is so much talent among our young people; I hope the women in 'Hidden Figures' inspire them.
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That's what 'Star Trek' was: We don't know how to make an ideal society, but we're going to portray that, and then we're going to work backward. I think that's why science fiction - despite the dystopian parts - comes out of this super ideal that, eventually, we will get to some better place where we actually live up to our ideals.
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Growing up in Hampton, the face of science was brown like mine.
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Without imagination, I don't think there's any progress.
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A lot of times, we talk about black people as if being black is all they are. They get up, go to work... and are as complex and interesting and variable as any other group of people. We don't often capture that or write about it.
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The success of 'Hidden Figures' proves that people are interested in, hungry for, stories about transcendent human experiences.
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Every time you go to an airport and get on a plane, you are basically taking advantage of the work that was done at Langley. Between World War I and World War II, they did just tremendous amount of fundamental research into basically making airplanes safer, making them more stable.
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My dad joined Langley in 1964 as a co-op student and retired in 2004 an internationally respected climate scientist.
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My dad worked at NASA his whole career; he's a research scientist.
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As much as I think it is necessary and desirable for white people to have an expanded view of the black American experience, it's probably even more important for black people to have that expanded view.
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You can't change history. These things happened the way they did. What you can change is how you look at it and how you understand that it takes the good moments and it takes the difficult moments to move forward.
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For too long, history has imposed a binary condition on its black citizens: either nameless or renowned, menial or exceptional, passive recipients of the forces of history or superheroes who acquire mythic status not just because of their deeds but because of their scarcity.