Whitney Houston Quotes
Sometimes you do have a good time. But when it gets to the point where you're sitting in your home and you're just trying to cover what you don't want people to know. It's painful. And then you want more just so that you don't let anybody see you cry. Or anybody to see we're not happy.
Quotes to Explore
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Always remember that the most important thing in a good marriage is not happiness, but stability.
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There was no relationship between a wedding dress and fashion. There was no good taste, either. I realized that I could make an impression in terms of changing and readdressing the whole industry of bridal.
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I was 17 when I was forced into marriage. I had no hand in it, and I didn't even enjoy being with the man. Also, I wanted to study, but no one listened to me. I wanted to move forward in life, it wasn't a happy situation. Because of some family problems, I had to stick around.
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I'd really love to work with Quentin Tarantino. There's so many people that I'd love to work with, but there's something about Quentin, and one of my all-time favorite films is 'Kill Bill.' Something along those lines would be such a blast.
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It would be incredible to work with Stanley Kubrick and go back in time.
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Each time I seem to go through one of life's huge things, I want to play music.
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The secret of doing well on TV is to understand that it's not too important. A lot of people watching doesn't change anything.
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I may have managed to build a successful technology startup that had gone public by the time my three kids hit their 13th birthdays, but don't think that bought my wife and me any special respect from our teenagers.
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We should be open to a discussion on keeping guns out of the hands of the mentally ill. I don't know how that manifests itself, but I'm looking to get elected president of the United States. I just want to let people know I have an open mind about how we might - how government might - interject itself in a lot of the problems we have.
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The only thing I've kind of missed is finding a really good western that I want to do, because I watched westerns a lot.
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I take so much pleasure at seeing customers who are happy: happy with what they eat, but happy with their friends and sharing a great moment together, and I think that is more important in life than the endless pursuit of perfection.
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I don't put a ton of time into my on-stage style, largely because I'm dumb about clothes. But I have friends who are very smart about clothes, and they teach me things. For the show, I'm mainly concerned with feeling comfortable, being able to jump around and get wild.
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People always talk about the implication and applications of a process, but for me, the goal is purely about knowledge. Knowledge can become practical today, in 20 years, or in 500 years. Ask Newton. He didn't know there would be space research based on his accident with the apple.
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I have had the most wonderful time on 'EastEnders' and I will miss you all. The show has changed my life and I want you all to continue the good work, because I'll be at home watching you.
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I don't attempt to make people uncomfortable; I think that my standards in terms of art and journalism always have necessitated my discomfort.
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For a long time, society put obstacles in the way of women who wanted to enter the sciences.
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I don't know what my label is. I just think of myself as a plain forward. I like to think I have some finesse to my game, but inside the paint is where men are made. If you can't play there, you should be home with your mama.
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Women can be two different people - one person at home, another at work.
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I can make the argument that people who don't have the biggest ranges but have very unique voices, even if they may be pitchy at times... with the right record that's really unique and distinct, they can have big hits.
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It's quite a pure relationship, designer and muse. I think a beautiful dress on the wrong woman could mean nothing. It has to be the right woman and the right clothes. That's why you need that personal touch.
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What they call 'alt-comedy' now is basically what comedy was like in the '80s. People tried different things, and everybody went to the clubs; there was no other place. Then somehow, the clubs became infiltrated by Dice Clay and Carrot Top types.
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Swarms are one very simple way of keeping ourselves ahead of the machines.
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When we come face-to-face with one down a dark alley, we're going to be having a shufti to see if it's solid, aren't we, we're not going to be asking, 'Excuse me, are you the imprint of a departed soul?
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Sometimes you do have a good time. But when it gets to the point where you're sitting in your home and you're just trying to cover what you don't want people to know. It's painful. And then you want more just so that you don't let anybody see you cry. Or anybody to see we're not happy.
