Mike Posner Quotes
It's not the job of the art to accommodate me and make me more money, make me more famous and get me more girls.
Quotes to Explore
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Being on your own would be sad, sick and weird. I don't trust myself. I need that balance.
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When I first got back from the war, I said, 'I'm gonna write the Great American Novel about the Vietnam War.' So I sat down and wrote 1,700 pages of sheer psychotherapy drivel. It was first person, and there would be pages about wet socks and cold feet.
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I don't have a telephone. If I had a lot of money, I wouldn't have one.
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I'm mad, they say. I am temperamental and dizzy and disagreeable. Well, let them talk. I can take it. Only one person can hurt me. Her name is Ida Lupino.
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In the music world, ageism is a big issue. It's about youth and youth culture. There's no other art form that I know that requires you to be a certain age.
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Certain thoughts are prayers. There are moments when, whatever be the attitude of the body, the soul is on its knees.
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The whole period of the '60s changed a lot of us; there was never a decade like that in American history... to have the decade capture one of the great accomplishments of this century: man landing on the moon.
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I've achieved more than some people do in a lifetime, but it doesn't mean I've done it all.
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I have only a few really enviable skills, but packing - condensing just the right amount of stuff into a single bag, whether the trip is for a weekend or, as in this case, seven weeks - is one of them.
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There are days when I literally have to eat 17 plates of food - it's intense. It's about moderation. You just need a few bites to get the gist of a dish.
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Kids will ask us 'How do you become famous?' It's the wrong question. Focus on the craft, not on the fame.
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After my tour I had time to stay at home, be with my boyfriend and hang out with friends and that brought me down to earth and helped me write music from a more relaxed place.
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I didn't want to write a biographie romancee especially since I already write novels, nor did I want to challenge the rules of the biography game, arbitrary as those rules might be.
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We are quick to stick labels on others - especially those who don't fit in with the norm. 'Harold Fry' is about a broken marriage; 'Perfect' is about a broken person. They are both about finding kindness where you least expect it.
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I like other people's kids and being able to give them back when I want to.
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Public appearances are a headache. I hold mine down to a minimum.
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Zhang Yimou is always going to need young, pretty girls for his films. But I don't really concern myself with what Zhang Yimou's next starlet looks like.
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If you do something, expect consequences.
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I'm interested in confronting police brutality and police abuse of cracking down on street performers and street artists, but also in valorizing street art as legitimate performance within the artistic sphere, where it's so often conflated with pan-handling and begging and not "successful" art. I want to change laws around street performance.
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Manufacture, don't just trade. There is money in manufacturing even though it is capital intensive. To achieve a big breakthrough, I had to start manufacturing the same product I was trading on; which is commodities.
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Some collaboration has to take place in the mind between the woman and the man before the art of creation can be accomplished. Some marriage of opposites has to be consummated. The whole of the mind must lie wide open if we are to get the sense that the
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I am up there onstage alone with that guitar. I don't have to consider no one else and whether they are comfortable. I need very little.
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Many have lived on a pedestal who will never have a statue when dead.
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It's not the job of the art to accommodate me and make me more money, make me more famous and get me more girls.
