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I know when something is done and when it isn't. There's been times working on movies when they [moviemakers] lock in a release date and so you're stuck to that schedule. But sometimes you're still editing and you feel like you're not really done, but they're sort of releasing the movie anyway - that's kind of depressing.
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All the classic bands that have been around forever, they came up gradually.
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Movies in general are more generic. If something sells just make more. That's Hollywood.
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I love Westerns. I really love John Wayne. Frank Capra, any of his movies I love.
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I don't like the fact that people are supposed to think horror movies have a way things should go. I always try to do the exact opposite of what people expect and want.
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I don't think there is anything wrong with watching violence but I just think you have to present it in the appropriate light. I was like just watch how many accidents and deaths horror causes. Whereas I don't think anybody is going to go: "Oh, I just saw The Shining and I think I'm going to go axe somebody!" These movies aren't for everybody. The dark side of anything isn't for everybody. I think that you have to have some sort of responsibility in how you portray it because I always want the violence to seem real and if it seems disgusting then good, because it should.
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I always wonder: the images that hit your brain when you're young are so significant, because there's not that much information in your brain. As you get older, things just bounce off. I can remember these minute details of stupid TV shows from the '70s, and I can't remember a book I read yesterday.
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I like movies where you can come back and re-watch them and admire the cinematography 25 years later.
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The funny thing is, I'm so used to not caring what anyone says, good or bad, that unfortunately even when people say good things I wish it made me feel good, but it doesn't.
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I never made movies that had any of my music. I haven't crossed them over that much.
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People just like the thrill of anything. Dangerous things and dark things are exciting. Like as a kid, I knew I wasn't going to get killed if I went into the Haunted House but you kind of feel like you are. And when it comes out the track the other side, it's like, "we're still alive"! And I find it really funny when adults get really scared because I've not been really scared since I saw Jaws when I was a little kid. I just think people like the thrill of it, they like to feel like they accomplished something, that they survived the movie.
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I try to stay friends with everybody because you might go back and work with somebody who you had a horrible experience with and it could be great the next time. You never know which way it's going to go, never say never.
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You just have to do the thing that you feel is true to your vision, and then the audience will make the decision. But as soon as you feel like you're creating a product to just cater to what you think they want, it never works. It always feels phony. And the audience can tell immediately.
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The art of moviemaking seems to get thrown away. The cinematography is gone, and the look of everything becomes of little importance. You lose the memorable images; everything looks like it's been shot at night with a security camera.
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Sometimes things just aren't of their time, and they take a minute to catch on, or they find an audience later. Sometimes bizarre little films are the ones that everyone remembers later. With most big major blockbusters, people will have already forgotten about it two weeks after it came out.
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When you can program your own life, you're just going to program what you already like. Because of that, people's taste becomes much more narrow-minded.
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Growing up, I had the weird fantasy list: I wanted to be Alice Cooper, Steven Spielberg, and Stan Lee. You have to have almost psychotic drive, because you're going to have years of failure.
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I’ve always loved Alice Cooper.
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Probably the biggest thing that surprises people is that I am obsessed with hockey. I grew up in the Boston area so I am obsessed with hockey since I was a little kid.
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I think probably the scariest thing, as weird as it sounds, was 'The Wizard of Oz' and the flying monkeys with the witch. I remember seeing that - it still seems freaky.
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My advice: Don't quit. When I got to New York City, I lived so far below the poverty line, because I didn't give in and get a job at 7-Eleven. I think you can thrive in misery.
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A lot of times the best trailers are for complete dogshit movies. It's a shame that people are beyond quick to judge things these days. Lots of great stuff gets lost that way.
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Growing up as a kid, there were so many people that I disliked, I daydreamed about hurting them. Hell just seemed like a good place for all of them to go. Unfortunately, I don't believe it exists.
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The thing that I see disappearing is just the love of old movies among kids. Everything's accessible, so you can get it, but when everything's accessible, that means you have to access it. And if you're not interested, you don't.